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Anthony Emmerson

Email: jtt@downeshouse.freeserve.co.uk

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Last blog entry: Thu, 27 May 2010 10:58:21 am

Profile updated: Thu, 27 May 2010 10:56:54 am

 

Biography

I am an unpublished poet living and working in rural North Devon. I read regularly at Open Mike nights at The Plough Arts Centre in Great Torrington. My work has no particular theme - except perhaps the fascinating diversity of the human condition.

Samples

lifelines


she sits

she knits

the needles click

as strand by strand

in cracked crabbed hands

each stitch

might haul them

back to land



her days, her nights are one, the same -

a gift of darkness borne by grief

to wounds already salted well.

lips taste each quarter

of the wind; she hears the tides

advance, retreat -

as if in echoes from

some ancient stranded shell.

she feels the swell of mercury -

a spell, for whalestorms

breaching to the west.

her heart has learned

the transit of the moon,

his wax, his wane,

his pull,

his rest.



he was a Padstow boy, born with the caul -

immortal, priceless, fashioned for the sea -

she the fishgirl in her sequin scales

waiting through each squall, each calm

- stab and slit,

flick and twist,

and fling the guts

out to the gulls -

and Sunday Chapel

singing him from harm

when tempest claws

made ribbons of the sails.



the tide came empty-handed, slack

and lifeless, limping in, where wives and girls

watched clocks and waited

for fear their eyes should ever meet

where hope and time evaporated

and whispers sold for tears

to the ends of every

single

ringing

street.





she stood. alone for forty nights they said -

never slept or dropped her stare -

beneath the Lizard’s beam and seven sisters

huddled overhead, when at the last

it was the sea who brought the news

- a gansey, sodden with a name

an almost-pair of boots

tangled rope

snapped spars

a dream, drowned

in eyes refusing to believe

in the horizon’s

empty truth.



for Brixham boys she knits.

Lamorna lads and Mevagissey men.

she hears their songs and feels

the beating of their hearts

between the blues

beyond the Longships

and the Wolf

into the starry

black

darkness.





she sits.

she knits.

the needles click.

row after row

hand over hand

she hauls her skeins

like ragged net

and stitch by stitch

by inch by inch

she knits them

dreams them

to the land.



moving on



you wear your bones

on the outside now.

the smile that once danced

at all our parties,

now a recluse.

folded arms protect the place

where I once died

a past eternity of joys



you spit formalities begrudgingly,

take every chance to turn your face -

still managing to leave

a shadow of

contempt.



i knot my tongue,

stem the flow of words;

worthless now, disarmed

and dulled with use.



we are comfortable in

these awkward silences.

no shared joke or

familiar look

dare steal these

heavy seconds.



we are here now.

past years have blurred

and all our knowing

lies undone;

all passion

spent on barbs

and buttresses.



and once a week

we watch the children skip

the fraying tightrope

that we struggle to hold.



our memories sleep

untroubled ��"

two distant lives away,

but still shiver

in these bitter winds.



walking in whiteout,

compass broken,

no footsteps to retrace



and no home to go to.



Neil’s Story

I never met Neil Moss. The chronologies of our lives only overlapped by months. But I do remember his story. It was a story that unfolded on a world holding its breath when I was only months old; and yet I remember it, or at least the telling of it, as if it were yesterday. Some stories are like that; so remarkable, so vivid – or, in the case of Neil Moss, so traumatic, as to indelibly imprint their selves onto our memories, as if we had been there.

Neil was a philosophy student at Oxford’s Balliol College, whose alumni include poets such as Swinburne and Southey (both Poets Laureate) Robert Browning and Hilaire Belloc; authors Graham Greene, Aldous Huxley and Neville Shute, and some of our greatest thinkers, including Adam Smith, William Beveridge and Richard Dawkins. It is fair to say that Neil was one of our “brightest and best.”

At just twenty years of age both he and his story became fossilised forever; buried by the ever accumulating snow of time and news, and the sedimentary limestone of the southern Pennines. On Sunday March 22nd 1959, the earth swallowed him up, like the whale swallowing Jonah. It never spat him out.

Neil Moss was a speleologist, or, in the parlance of the day, a potholer. On that particular Sunday he was part of a team planning to explore as yet uncharted passages in Peak Cavern, in the small town of Castleton in the Peak District of Derbyshire. Among the caving fraternity the cave is known as “The Devil’s Arse,” due to the sporadic sounds of gushing water echoing up from deep within. Its yawning entrance lies beneath the ruin of the Norman Peveril Castle, and cottages, where a rope making industry once thrived, fit easily within its jaws.

The party’s destination was an unexplored fissure – to get to it they had to pass through passages little wider than the human body. Neil led the party into the virgin darkness. Due to the narrowness of the shaft he was negotiating it was thought neither necessary nor practical for him to be tied on to the following person. At just after four o’clock that afternoon, using a light ladder and climbing rope, Neil squeezed his body through a “corkscrew” turn in a vertical chimney, whereupon his further descent was blocked by a loose boulder. At this point, due to the confines of the rock around him, he was unable to move either upwards or downwards, and so a rope was lowered to him from forty feet above to enable his companions to retrieve him. A combination of factors; the rope being too flimsy and his position being too tightly wedged, led to the rope snapping – on three occasions. Neil was firmly stuck, he could neither move his arms or bend his legs. He was one-thousand feet underground.

Reports vary as to the events which followed, but what is certain is that at this point Neil Moss was immersed in humankind’s most fevered nightmare - immobility, isolation and perhaps worst of all, total and impenetrable darkness. This was not the fantasy horror of vampires or werewolves, nor was it the unpalatable screen atrocities of the modern-day slasher movie. This was pure and undiluted primeval fear. One can only surmise at the terror he was feeling. What is known for certain is that cave rescuers and those with mining and medical experience gathered in Castleton as news spread of Neil’s predicament. National radio appeals went out for experts in the field – televisions still being a rare luxury in the late fifties. All over Britain – and further afield, people sat by their crackling valve radios and waited for news.

One problem in those confined spaces was a shortage of air; almost immediately the level of carbon dioxide would have begun to rise and breathing would have become difficult. Access to Neil was virtually impossible; he was trapped at the shoulders and unable to raise his arms. Rescue attempts concentrated on getting a supply of oxygen to him, but it proved difficult to fit a mask over his face, unless someone could be lowered head-first down the shaft. Even then they were barely able to touch the top of his head. Ropes were tied to him and hooks passed through his clothing in attempts to raise him, but to no avail. With each attempt the chafing on his shoulders would have caused them to swell, and made his extraction more unlikely. By this time he was drifting in and out of consciousness. Rescuers talked in desperation of cutting a tunnel to him through a side passage; but there was no time. In a vain attempt to widen the passage, a series of volunteers tried chipping away at the surrounding rock. Some reports suggest that a slight girl caver was lowered to him by her feet, in an attempt to break his collarbones and ease his passage.

There must have come a time in this physical, mental and emotional struggle where the rescue party and Neil himself realised that both options and hope had been exhausted. This is the very point which the human mind finds too awful to contemplate – the veritable “living death;” and the certain knowledge that he would never see the outside world above again. In these circumstances even the atheists among us would surely be crying out to a God.

Contemporary accounts differ as to whether Neil was given morphine to soften this awful truth, and to help him slip from this life - many accounts suggest that he died of asphyxiation due to the carbon dioxide. Either way it would have been cruel to deny him this; the last possible comfort.

Neil died at approximately 2am on Tuesday morning, March 24th 1959.

It must have been a completely forlorn procession up and out into an expectant world for the teams of men and women who had spent over thirty-six hours trying to rescue him. It was his father, waiting outside the cave, who received the news. In the tradition of cavers and cave rescuers it is considered a failure to leave a brother, or his body, beneath the ground. But in Neil’s case retrieval would be practically impossible. On his father’s instructions, and to prevent further incidents, Neil’s shaft was capped with concrete; and so it remains. A plaque in his memory was fixed in the entry chamber, now known as “Moss Chamber.”

All this happened over fifty years ago. It is perhaps the saddest thought, that in another fifty or a hundred years, there may be no one left to remember him.


“Benedictus benedicat”. - May the blessed one give a blessing.
(Part of the Balliol Grace.)

Almighty God, Who hast in Thy good providence disposed the hearts of men to mutual charity, that here on earth in diverse brotherhoods they may prepare the coming of Thy heavenly kingdom, we give Thee thanks for every human fellowship, but more especially that Thou hast prospered this our ancient house, and still dost guide the footsteps of her children, not weighting our merits nor measuring Thy fatherly affection. Send forth Thy light upon those assembled here and on our brethren dispersed through all the world, that we and they being knit more closely in the bonds of friendship may likewise frow in love of Thee and obtain together those eternal mansions which Thou hast promised by the mouth of Jesus Christ our Lord. Amen.
(Balliol College Prayer.)

Ecclesiasticus ch. 44, vv. 1-15 is the traditional reading at Balliol Gaudies*. It begins:

"Let us now praise famous men, and our fathers that begat us . . .
. . . And some there be, which have no memorial, who are perished as though they had not been, and become as though they had not been born: …….. But these were men of mercy, whose righteous deeds have not been forgotten.

* http://en.wikipedia.org/wiki/Gaudy

http://www.time.com/time/magazine/article/0,9171,810881-1,00.html

http://www.grantham.karoo.net/paul/graves/neilmoss.htm


All poems are copyright of the originating author. Permission must be obtained before using or performing others' poems.

Last blog entry

Visiting Neil

Posted on Thursday 27th May 2010 2:12 am

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Visiting Neil

 

Hello old friend. I’m sorry that it’s been a while.

I can’t pretend that this cold place is easy on the mind.

But nonetheless you’re always there, somewhere,

underneath and in the darkness; thinking through philosophies,

searching out those sparks of why and wherefore

to eternity.

 

Who me? I’ve done OK, The usual, you know - job, house, car

 - relationships; the ordinary stuff of life.

Though I always held a candle for you.

Your memory sometimes hides

- but never fades. You’re set in stone. And now and then

I call your name, and wonder if you hear. and know

that in my memory,

you’ll never really be alone.

 

What’s in the bag? Oh just some things I brought for you

I thought you might have missed – comforts, more for me than you

perhaps,

“Benedictus benedicat”:

 

 a firmament of winter stars

a skylark’s hymn to spring-mown hay

a summer blush of giggling girls

a patch of bluebells fallen from the cloudless air of May

an autumn sunset, stained with ripened fruit

warm rain, lightning slashing at a charcoal sky,

a seastorm’s anger, three coins - a wish from Rome

plainsong heard across an Oxford lawn

a playground full of laughter,

a valley’s eiderdown of mist at dawn

a scented silver trail of woodsmoke,  leading home.

 

Neruda’s words – (pour them gently in your ears)

Elgar’s melodies for English hills

a precious vial of unguent tears - scalded with rage

 - and frozen by a mother’s loss

a moondust footprint from a giant’s leap

a nation’s roaring heart one afternoon in sixty-six

a pillow, dewed and warm with woman scent

a skyline waltz of starling wings

the molten kisses of love’s first fire -

as hot, and fierce, as hornet stings.

 

 café chatter, jokes and bottles cracked with friends,

a generation’s theme tunes,

leaked from a letter box in Abbey Road,

church bells and confetti

strewn across a village green

two golden circles – interlocked

with nothing in between,

a child’s warm hand,

to flutter like a new-fledged bird in yours

strawberries, ice cream

melting in a July afternoon,

the Sunday scent of bacon

that tiptoes up a stair

a barefoot walk

in meadows wet with dew

a patient fathom

that waits beneath the dapple

of the parish yew

and love,

love enough to outlast every dying sun

and fading moon

wrapped in the words

of an agnostic’s faltering prayer.

 

 

I can’t take you home – that gift was never mine to give;

just your story, and the memory of you

to remind a world you too once laughed,

once loved,

once lived.

So goodbye old friend,

I’ll light that candle for you

for hope,

 and remembrance

of a long-lost cause

we’ll meet again

one day

I’ll cross my darkness

where you wait

for me

in yours.

 

Author's note:

In general I believe that the explanation of a poem can detract from its sentiments and message, although I have often wished for one. In this case however, perhaps that rule is worth bending. Not because it adds anything to the poem, but that the story, in and of itself is one that should be told. In order not to further extend the length of this post those who are interested will find it here:

http://www.writeoutloud.net/poets/anthonyemmerson

 

Previous: . . . of varts and tickers

 

View or make comments. (16 comments)

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Comments

Isobel

poet image

Sat 10th Jul 2010 16:37

Thanks for your comment Anthony - it means a lot that you liked it. I was hoping for a slightly softer voice but put a microphone in front of me and I seem to get edgy. On reflection I think it might have been better in a lower key. Not sure myself how it works as a french poem - there is probably one cliche in it - life being compared to lightning - but it rhymed and I was working under additional constraints!
When are you posting another one?

 

Isobel

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Sun 20th Jun 2010 22:10

Thanks for your comment on my meagre offerings...
Haven't managed to watch any footie yet - can't muster up any enthusiasm - it's a great time to get your shopping done though - the roads and aisles are empty...

 

Deborah Jordan

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Sun 20th Jun 2010 15:46

Hi Anthony, thank you for your very kind comments on 'Hamishagos'..where did i find the word?..hmm i think the brashki gave it to me during their brigaki djili one evening in early summer : ) thank you again, Debz xx

 

Caducus

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Sun 20th Jun 2010 11:13

Anthony, first let me thank you for your heartfelt and ebullient comment on 'Stark cold truth'

I have just read your poem 'lifelines' and it is a fantastic poem with a rich tapestry of well woven and unforgettable images. On the strength of that one poem I can't believe you are not published as I have read with some poets of fine repute and it reminded me a so many poets, from the accessibility and execution of Auden, to the warmth of Khalil Gibran. It also reminded me of my friends poem 'Allihies', go to Mike McKimm's website to see if Allihies poem is on there - I think you'd like the inspired response from a poets stay in somewhere as beautiful as Allihies.

Fine poem sir, we should keep in touch occasionally as I am sometimes in Cornwall and if you are ever in Coventry I co run an open mic at the tin angel on mideieval spon street, would love to collab a performance with you !

 

Greg Freeman

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Thu 17th Jun 2010 11:56

Anthony, thanks for your kinds words about Waveney; it was the product of a railway trip to Beccles on a very sunny day. Cheers, Greg

 

Banksy

Fri 11th Jun 2010 22:30

I keep going back to Visting Neil -I cant quite believe how good it is. Given that we are all on here working with words, it seems that adequate words escape us when we are smitten by words put together like these. This is one of my all-time favourites, up there with Robert Frost, John Burnside, etc. I'm not saying this just to be kind, but it is very rarely that one comes across a work so moving or so "right" in every sense. I think you can be very proud of yourself. all the best. B

 

winston plowes

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Wed 9th Jun 2010 08:52

Hi A.E. Belated thanks for commenting on 'Descent Into The Maelstrom' The section you refer to is my favourite part too. In fact this was the starting point for the piece. I fear the rest never quite liveed up to it? Win

 

Isobel

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Tue 8th Jun 2010 13:44

'By dint of curiosity and accident' - I bet you did! Hope your trawlings are going well... x

 

Thaumaturgically Charged

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Thu 3rd Jun 2010 19:41

Hola Anthony ;-) re TC it was an afterthought for me too the 'Top Cat' thing ha ha I used to love that show .......
TC........ Officer dibble..... ;-))

 

Lynn Dye

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Tue 1st Jun 2010 22:14

Hi Anthony, yes, I'm enjoying WOL very much, thanks. I'm glad you liked "I thought of you". Racy? ha ha, well just a bit...!
Regards, Lynn

 

Lynn Dye

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Tue 1st Jun 2010 08:30

Hi again, Anthony. Just been reading the story of Neil Moss, and I found your poem beautiful. Moved me to tears. Thanks.

 

Rev Two-Sheds

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Mon 31st May 2010 17:46

Hiya...
many thanks boss for taking the time to read 12 to 2 and for your postive comment
kindest regards innit
R2$

 

Ann Foxglove

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Mon 31st May 2010 17:12

Can't get poor Neil out of my head. I went pot holing once. The most horrible experience! I think I may have heard a radio 4 programme about this incident (Neil) a couple of years ago. So haunting! And tragic too. And the audio is splendid. My favourite poem for a long time.

 

winston plowes

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Mon 31st May 2010 11:29

Hi A.E. LOL, Re Coming home without you. Actually this is about a different kind of love. It was the scenario that greeted me last time I dropped off my daughter and returned home to an empty house. I will go and do the washing up now... Win x

 

Banksy

Sun 30th May 2010 21:58

Hi Anthony - many thanks for letting me include "Visiting Neil" on my website - it's a mightily impressive & moving poem. you can see it here if you wish
http://www.poemsetfree.com/index.php?page=favourite-poems-by-other-authors You might like Anne Foxglove's Coromandel above yours; another one of my very favourites. Thanks again. B

 

Lynn Dye

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Sat 29th May 2010 23:57

Thanks Anthony for your advice on my "Angel on Horseback". I agreed with you and have made changes. Thanks again. All the Best, Lynn

 

Isobel

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Sat 29th May 2010 17:01

If you can be bovvered - my son has a version of cubase and can fiddle round with your poem - adding echo at the beginning and end - you would need to send me the audio file...also tell me whether you want single or double echo and where - the double echo is very heavy - you wouldn't want too much of it.

 

kath hewitt

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Sat 29th May 2010 15:30

Hi,

I honestly hadn't picked up that i had used aspiration twice, well. i suppose i knew but didn't, kind of!
Inspiration definately fits better for the last stanza so changes have been made.
Thank you

 

kath hewitt

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Fri 28th May 2010 17:57

Hi,
Thanks for taking the time to read and comment. A sequel? Argh, don't think i'm up to that!!As for apologising, well, i think it's in my nature to say for sorry for most things i do! The stuff i write just seems to be there and i kinda feel like a fraud when people comment positively on them. I suppose i should just say ta and get on with it ha ha.
Thank you for a lovely comment x

 

Isobel

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Fri 28th May 2010 15:02

Tee hee - was never good at maths...
Re the audio - it is probably only worth fiddling round as an experiment if it is easy for you to do so. It is far better with the echo than without - a sound effect that really fits a purpose. You may find it works better all the way through - it was just an idea... x

 

shoeless

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Fri 28th May 2010 12:59

thanks for your comments on BIG DIAMONDS :)

 

Dave Carr

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Fri 28th May 2010 06:22

Hi Anthony.
Thanks for comment on Pandora's Box. While you were commenting I was reading your poem about Neil and went on to read his story. Both pieces are so engaging and sensitively written. Something I shall read again I am sure.
I have a tragic story to tell from years gone by that affected my family. Will probably post it in August.
Best wishes. Dave

 

Chris Dawson

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Fri 28th May 2010 03:21

Hi Anthony,
Thanks for your comments on 'Play Me' - really made me laugh, so pleased you liked the poem.
Cx

 

Banksy

Thu 27th May 2010 13:27

Hi - "Visiting Neil" - would you allow me to put this on my website under "favourite poems by other authors" ? all the best. B

 

Ann Foxglove

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Wed 26th May 2010 07:45

Hi there Anthony!Thank you so much for you comments on my Family poem. Didn't know I could do whatnot tentrameters or whatever it was you said! ;-)xx

 

Chris Dawson

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Mon 24th May 2010 00:17

Thanks Anthony for your very generous comments on 'Pandora's Box', they are very much appreciated.
No, you didn't comment on it before, previously I posted it just for a short while, then took it down again because I didn't think it was good enough, but kind comments from Isobel persuaded me to put it back. Glad you liked it.
Cx

 

ray miller

Sun 23rd May 2010 08:59

Ta for your comments, Anthony. The Mad History thing is part of a spoof series on mental illness. Sometimes it's hard to overtrump the facts and I've had at least one person take the Egyptian story at face value!

 

Francine

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Sat 22nd May 2010 17:22

LOL Anthony!
I love your comment on my poem 'Pandora's Affliction'...
It made my day - You have a wonderful sense of humour! I wrote the poem first, which in turn inspired my choice of photo.

Francine x

 

Ann Foxglove

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Sat 22nd May 2010 09:39

Hi Anthony - thank you for your kind comments on my voice! Maybe I could do those voiceovers for the M&S food commercials they used to have - " mmmm broccoli" - with lots of practice I might be able to make it sound sexy! (Maybe not!!) ;-) (And hey!"a voluptuous vixen, both feisty and foxy" - are you talkin' about me? Just jokin'! It's a good line tho, might add it to my poet's profile! LOL!)

 

Pete Crompton

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Sat 22nd May 2010 09:31

Hi Anthony, thanks for the input on my last scribbling, theres a word I invented in there and a spelling! but yes we need to keep the worship a secret dunwe? hoping you ok.

 

Dave Bradley

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Sat 22nd May 2010 07:25

Thanks for commenting Anthony. And for the (?)compliment. Too young? I'm in my 50s but do remember Michael Miles and Hughie Green, the TV titans of their era. Strange, looking back, what we were gripped by.

 

Isobel

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Fri 21st May 2010 22:57

I guess he was after a donation of some kind. Mmmmmmmmmm nice job...
I so envy you that one.... LOL LOL LOL xx

 

Isobel

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Fri 21st May 2010 22:35

Pick away - tis a bone long overdue...

xx

 

Mr. D Thomas

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Wed 19th May 2010 08:37

Hi A - thanks for the welcome. I've been attempting to revise while at the same time writing insignificant essays - and WOL is more than an distraction if you don't completely divorce yourself from it. However, you can't 'fight the fight' standing on the academic terraces - you need to be in there - up to your scrotum in the mud of goal mouth incident. Blowing so hard that the pea in your whistle shoots a player right between the eyes - as it were.

 

Ann Foxglove

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Wed 19th May 2010 06:23

Hi Anthony, thanks for nice comments on Heavy with Green. I wrote it about three weeks ago, and had a Larkiny feeling in my head, more April is the cruellest month I think. Didn't remember this poem that you gave me the link to until last Sunday when it was somewhere in the paper, as a neglected poem. I guess it's the time of year! Ann xx

 

ray miller

Mon 17th May 2010 15:20

Anthony, thanks for comments on Gloria. I've done the odd homage to JCC, saw him perform a couple of weeks ago and he was brilliantly funny. On the other hand, saw him at The Big Chill last year and he was poor.

 

Tommy Carroll

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Sun 16th May 2010 04:22

Thank you Anthony- this poem still feels awkward to me, it has a dysfunctional resonance that I struggle to repair.

 

winston plowes

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Sat 15th May 2010 09:53

Hi Anthony, Thanks for your comments on ';-p' as to wallowing in a wonderful disease... You may be falling into the trap of assuming the poet (me) is writting from his own true experiences. In this particular case is it too mischevious of me not to say if this is the case or not. Win :-)

 

kath hewitt

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Fri 14th May 2010 21:50

Hi thanks for your comment on Avon calling. Much appreciated ;-)

 

Ann Foxglove

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Wed 12th May 2010 18:31

wow, your comment on the discussion strand was great. And thanks for your kind words too. Me, I'm thinking of quitting for a while. xxxxx

 

winston plowes

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Fri 30th Apr 2010 00:55

good to see you backand commenting A.E. Win

 

Darren Thomas

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Fri 2nd Apr 2010 20:29

Hi 'A.E'

First of all, many thanks for your comments. Secondly, where have you been? This site needs those Salmons who swim against the tide of mutual gratification. We don't want a site full of 'suckers' - we need the odd 'blower' too. Now get your boney linguistic ass back on here and do some mother f**%$£g blowin'!

 

Isobel

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Sat 27th Mar 2010 15:24

Hello Anthony. I hope you have managed to come through your not funny ha ha time ok.
You need to reinforce that skin of yours and get yourself back on here. A worthy WOLOP past winner and critic, you add something to the site - plus you often make me laugh.
Perhaps you could write an ode to laughter - that gift from the Gods that seems to go unopened for so many...

 

Isobel

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Wed 24th Mar 2010 23:07

LOL - About time I started thinking about structure??? What are you like with your cryptic comments! Have so missed you!

 

Rachel McGladdery

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Sun 20th Dec 2009 18:01

Lol! Thanks for the comments...as for the stockings video.....well I'm performing it in Preston on tuesday evening, I appreciate it's a bit far to travel and all that, but they generally get filmed by Norman Hadley and bunged up on youtube, although it'll just be me reading it, unfortunately I'm a little too new to performance to actually do the burlesque thing, tempting though it is. If you like, I'll 'comment' you the link when it's up.
Thanks again
Rachel
x

 

Rev Two-Sheds

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Fri 18th Dec 2009 13:42

yeah no problem - I'm of the stab chimp variety when it comes to adding sounds etc... any tips ideas you want just let me know and I'll try to explain how I do them... I have an Apple comp. - do you have garage band?

 

Rev Two-Sheds

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Thu 17th Dec 2009 08:11

I think that "Beyond The Equinox" is really good... I am liking that a lot...

 

Rachel McGladdery

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Sat 12th Dec 2009 18:25

Hi Anthony, thanks for the welcome and the comments! I was hugely impressed with myspace, the imagery is almost tangible...does that make sense? Plus the sense of warmth and love....gorgeous!
Cheers
Rachel
x

 

Ann Foxglove

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Wed 9th Dec 2009 17:46

Here here to your comment re gangs! I think gangs are nasty things. Since I joined WOL I have been made to feel welcome, and it's a new home for me, a new poet. Then suddenly there's this feeling (from the old guard?) that maybe i won't be belonging here after all - too many poets!!! How many poets can you get on the head of a pin? (Or how many poets can change a light bulb maybe!) lol af xxx

 

Ann Foxglove

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Fri 4th Dec 2009 13:59

Thank you so much for your kind words about my poems. I have just been reading yours and they are wonderful. I have only just started writing and in a way it is easy to just let the poems come, but they are totally "as is", if I try and improve on them I just make them worse! When I read "real" poems like yours I can't imagine how you could produce something so perfect. I am not trying to lick parts of your anatomy here, I enjoy my poems but I think they are like a child's drawing that may delight enough to be stuck on the fridge, but not a polished complex work of art. But maybe that's just how they are meant to be. I loved myspace and the one about the Downs child made me cry. OH, I live in the west country too! xxx

 

stefan wilde

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Thu 3rd Dec 2009 14:22

Good afternoon,Anthony,I put a reply to you under the poem-'in full realisation'-thanking you for much needed encouragement!! but then,a very sensible man,who goes by the name of one Mr. Plowes advised me that replying to comments on the 'profile' column makes sure the person who has commented gets their,in your case,well deserved reply-thank you and Mr. W.-(Oh,a little rhyme there)-lol!-regards to you-Stef-ps. enjoyed the journey scrolling down-you popular person,you! LOL!-pps.blimey! how ignorant,I nearly was-re your above poems-truly,truly inspirational-I,ll be back!

 

John Aikman

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Tue 1st Dec 2009 08:26

Dear Anthony,

I can't seem to locate an e-mail address for you on here, otherwise I would have e-mailed you privately just to offer you some solidarity in the face of a recent tirade against you posted elsewhere.

I agreed with your comments wholeheartedly and thought they were expressed in a very succinct and witty way. To say so on the actual discussion board would, in my opinion, just invite another tirade of hypocritical invective upon both our heads and I have elected to abdicate from that particular battle....until the next time. There is bound to be a 'next time' as I cannot envisage being able to keep my trap shut the next time a piece of egregious clap trap is posted here disguised as 'poetry' or even 'comment'.

Keep the faith.

Jx

 

John Darwin

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Thu 26th Nov 2009 11:27

Anthony, thanks for your kind comments on my poem ''drenched'. It's the way it comes out. I can be quite cheerful in person :-)

 

barrie singleton

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Sun 22nd Nov 2009 21:07

At last I have arrived here to say thanks for approving comment left on my page. In my usual way, I feel inclined to dub your style 'Till Role' (much as I gave the name 'Marzipan School' to the paintings of a friend, featuring bendy houses.
I like the devices used but have to admit - perhaps it's my age - to keep starting a new line, leaves me exhausted! Cheers.

 

Cate Greenlees

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Sun 22nd Nov 2009 11:45

Greetings Anthony... thanks for your comment on Taj..... sos I cant offer you any rock, but if you`re ever up North Ive learned how to knock your tonsils out with a fiery vindaloo!!!!!!
Cate xx

 

John Aikman

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Sat 21st Nov 2009 20:11

Thank you for your kind comments on my last offering (only my second). 'Larkinesque' eh? Well, apart from the 4 lines of Larkin that everbody knows, I've never read him......I will now!

I'll take 'Larkinesque' any day : )

Kind regards


Jx

 

Isobel

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Thu 19th Nov 2009 17:51

Hello you. Where on Earth have you been? Hope it was hot. If it was another site - let me check it out - surely it can't be better than this? Have really missed you - hope you are back to stay. xx

 

Greg Freeman

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Thu 19th Nov 2009 15:38

HI Anthony. Have just read Myspace and am fairly gobsmacked by it. You seem to have a state of the nation theme and a love thread all in the same poem. The rhythm and music of the words - and your stamina - is very impressive. I'd love to hear you read it. Being in the business I particularly liked "the paperboy chokes doorways with a plague of news and views". Only one quibble. Visually I'd like to see every two lines become one wherever possible. I think it would easier on the eye and the reader would appreciate your skill that much more.
Congratulations
Greg

 

Tommy Carroll

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Wed 28th Oct 2009 20:44

[from September 28th 2009] ''Anthony: You have re-claimed from my universe a hundred million brain cells from oblivion.'' incase you failed to notice.
ta
Tommy

 

Janet

Fri 23rd Oct 2009 16:28

Hi, i just want to say thanks for your help and comments on my poetry. It was very much appreciated. Don't know where you been lately but hope you're well. :-)

I'm going off the net for a while so good luck with all that you do. Take care,

Janet.x

 

Neil West

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Sun 11th Oct 2009 20:15

Hi Anthony - I'd also like to congratulate you on being NPOTM. I've been keeping my head down lately or I'd have acknowledged you earlier, I know I've already mentioned Beyond the Equinox but it is simply a terrific piece of writing and I wish I'd written it!

 

Cynthia Buell Thomas

Thu 8th Oct 2009 19:38

Congratulations on your WIN, Anthony. Well-deserved for a great poem. Sorry I didn't remember to say this right away...two days later just isn't on!

 

John Aikman

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Thu 8th Oct 2009 06:06

myspace is breathtaking. Thank you.

Jx

 

Cate Greenlees

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Wed 7th Oct 2009 14:25

Congrats Anthony! I voted for you.... your work is head and shoulders above the rest!
Cate xx

 

John Darwin

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Tue 6th Oct 2009 08:17

Anthony, thanks for your comments on 'Melt'. I wil probably be reading it tonight in Hebden Bridge, bit of a trek for you from Devon!

 

nicky burrows

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Fri 2nd Oct 2009 14:52

Hi Anthony, thanks for commenting on 'pearl stitch', enjoyed all the different interpretations of it.

I hope that It will never cease to amaze me that a couple of dozen words put in a certain formation can be interpreted in so many different way. The beauty of our own subjectvity.

Nicky.

 

Janet

Fri 2nd Oct 2009 13:35

Hi, i've sent an email to the address you supplied. Did you receive it?
Thanks for the link on rhymes, it's great!

Janet.x

 

Janet

Fri 2nd Oct 2009 12:02

I tried to send myself a trial email by clicking onto the email address on my profile but it hasn't come to me. Haven't received yours either.

Janet.x

 

Janet

Fri 2nd Oct 2009 11:49

Hi Anthony,
sorry but no i didn't receive any email from you at all. Please try again if you like, you must have got the address wrong because other people here have managed to contact me privately. :-)

Janet.x

 

Dave Bradley

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Fri 2nd Oct 2009 10:02

Hi Anthony

Appreciated the comment on Churchill. Yes I've visited Chartwell too and it had a similar impact. A special place.
The poem has arisen from reading Carlo D'Este's 800 page doorstop of a book 'Warlord', which was a gift - wouldn't have bought it for myself. Churchill was such a difficult and often unpleasant boy and young man, who irritated or alienated many of those he encountered. It gives pause for thought that a man with his history and personality profile was exactly what was needed in 1940.
He always believed in his star, in his destiny, seeking out risks in the belief that he wouldn't be touched. And (remarkably) he was right.

My hairs still stand on end when hearing the key broadcasts. Extraordinary.

Enough. One could rabbit on.

 

Janet

Fri 2nd Oct 2009 00:04

Hi Anthony, what message was that then?

I'm fine. No, you're definitelt not in my bad books. :-)
Be nice to chat soon.
Janet.x

 

steve black

Thu 1st Oct 2009 10:54

There is only one way to find out. FIGHT! FIGHT!

 

Gus Jonsson

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Tue 29th Sep 2009 18:32

or would that be an exodus of Lapwing?


Many thanks
Gus

 

spencer

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Tue 29th Sep 2009 15:10

Thanks for the comment , I like the piece it is a bit Trainspotting (well spotted - oh that's bad but I had to). On another note - Beyond the Equinox is a bit tasty , great images ,well written - you can easily picture everything.

 

Neil West

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Tue 29th Sep 2009 09:16

Hi Anthony. I really like Beyond the Equinox, the imagery is sad and haunting yet very beautiful. I tried to pick out a favourite part but the whole poem is so effective that I couldn't.

Thank you for sharing my work. In answer to your question, I wouldn't like to tell people what to get from reading it but there are broad themes being explored. While I wanted to be ambiguous about time and place the initial inspiration came from the conflict in Bosnia when a seemingly modern and peaceful nation tore itself apart and committed terrible acts of genocide as a result of national and ethnic divisions and historic prejudices.

There are parallels with all conflict and I suppose the current war against terrorism and the experiences of Bristish troops in Afghanistan perhaps support the idea that we need to try harder to learn the lessons of history and find new ways of solving problems in the world.

The two characters represent ordinary people caught up in national events, one who seeks to be loyal but recognises his own conscience is at odds with the propaganda and one who blindly accepts what he is told out of jingoistic misplaced pride. As a result, it is perhaps easier for one to deal with the aftermath of war than the other. There is still the promise of redemption, in spite of the horrors both committed by and against these men. they have to work out that journey for themselves but the key is facing up to their guilt and accepting responsibility for what took place, perhaps inspired by the South African truth and reconciliation or Northern Ireland peace processes.

Finally, perhaps I wanted to place the events in a time just as modern mechanised warfare unleashed new horrors on mankind. While Cloverleaf experiences a traditional combat role riding in a cavalry charge the horrors described by Strongarm perhaps reflect the thoughts of soldiers encountering trench warfare, modern artillery and tanks for the first time in the early 20th century. I remember something about the French cavalry riding into battle on horseback in white gloves brandishing sabres only to be cut down in minutes by German machine gun fire.

Ultimately, I want to warn aginst the dangers of prejudice and remind people how easily this kind of scapegoating can lead to catastrophy. A reminder I think people need in a soceity where people vote for the BNP and live in fear of anyone from a different cultural background.

Thanks again, I think your work is of real quality and would appreciate any ideas you could offer.

 

carol falaki

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Mon 28th Sep 2009 16:17

Hi Anthony,
I'd like to say thank you, not just for your comments on 'plum', but for leading me to your poems. What I loved about them is they demostrate how poetry reveals the reality we miss in every day life. Beyond the Equinox connects the reader to the season and to the earth.

 

steve garside

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Mon 28th Sep 2009 08:48

HI Anthony - thanks for your comments on my work - happy that you get the rhythm and gravity of the work

steve x

 

winston plowes

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Sun 27th Sep 2009 20:29

Hi Anthony... Great descriptive piece. does exactly what it says on the tin. Lovely. Win

 

Cate Greenlees

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Sun 27th Sep 2009 16:38

Hi Anthony, so nice to see you posting again! Thanks for your lovely comment on Eer Olives Pumps. I love Lancashire dialect. Its dying out somewhat now with the closing of the mines and mills, but the older generation still use it in rural areas, and I find it a fascinating legacy of how Wigan used to be. I have written a few more dialect ones which might get an airing up here in time, so watch this space!!!
Cate xx

 

Janet

Sun 27th Sep 2009 12:42

I can't tell you how many times i've read 'my space'. Still discovering something new each on each read. I love the subtle rhymes in it particularly and the repeated slowing down lines. (Repeated doesn't feel quite the right word but hopefully you'll see what i meant by that comment). :-)

Janet.x

 

winston plowes

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Sun 27th Sep 2009 09:22

I have left more comments on "On Meeting a Poet" Thanks Win

 

winston plowes

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Sat 26th Sep 2009 18:06

On Meeting a Poet has now some explanatory notes attached. Have a look and tell me what you think. Thanks for the comment in the first place.

Win

 

Antonionioni

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Fri 25th Sep 2009 18:14

Thanks Anthony - I must admit, there are one or two on the musical trash heap of my poem that I do like to a degree, but the majority are justly condemned in my kangaroo court!

 

Isobel

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Fri 25th Sep 2009 14:41

I would be very honoured to take a sneak preview of yours Anthony. Will try to be more critical than I normally am. I am not as experienced at it as you or knowledgable about poetic form but I will give it my best shot. Other than the poem I showed you which I still haven't got round to looking at - I have nothing in the pipeline - I will try to get that one done some time next week. I also need to focus my attention on writing rather than discussing - it is so easy to get caught up in all that. Lovely to see and hear you back on the scene.
Isobel xx

 

Janet

Fri 25th Sep 2009 12:41

Thanks for your comment on my poem, no title.
I needed that today.

Janet.x

 

nicky burrows

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Fri 25th Sep 2009 00:29

Hi Anthony,

I just wanted to drop a line your way to say thank you for your commments on the 'catharsis' discussion thread. I was beginning to think I had created a monster, and I was only testing the water, as I am new on the site. I unwittingly, did not realise that I needed a few more swimmingly lessons beforehand in order to outswim the sharks. 62 comments later, I have the lovely Janet to thank for finally understanding the original slant on the question, - I didn't think that it was that obtuse, and certainly did not expect what I got - and also you to thank for pointing in the right direction and bringing enlightenment.

Have only glanced at your poems, but I do thimk your writing style is quite unique, 'myspace' flows like a stream of conciousness and has a very raw, existential flow about it. I have only read one poem (recent one that is) on this site that I could compare it to, and that would be Steve Mellor's 'Life-Line'. Simply for the pure continuous flow of the poem. I cannot comment justly on the content as yet as I have not had the chance to digest it and am all wrded out. an effort to put a comprehensible sentence together at the moment. Large glass of wine is in order.

Thanks once again. Nicky

 

Janet

Wed 9th Sep 2009 11:10

Hi Anthony, hope you're well and don't want to place you under any pressure but wanted to say you are missed.

Janet.x

 

John Darwin

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Sun 6th Sep 2009 11:23

Thank you all for the comments on 'Hog'. I thought I would explain a little about it, I hope this is of interest to you! Firstly, as for almost all that I write this was completed swiftly, in no more than 10 minutes or so. The only revision made was swapping two of the lines in the second stanza. I like to write like this it feels natural, I am not a ponderer over a sheet of paper I believe in intuitive and impulsive writing. I think this is where the best work comes from. This means of course that it is usually flawed, as this poem undoubtedly is! The idea for the poem was simply that Dylan Thomas had stolen more than his share from the 'genius gene pool' - I should explain that I am of Wesh parentage although I was not born there - leaving none for anyone else, and me in particular! The first verse is just a superficial portrait of Thomas, his appearance, his drinking and smoking (stubs here is a reference to his fingers, not a cigarette stub) - and the delivery of his poetry when he read it. If you listen to recordings his delivery is very theatrical and sounds very much of the time that it was done; dated to modern ears.

The second stanza (understandably criticised by some of you) is part reference to the location of the Boat House his residence in Laugharne and partly my own memories of summers spent as a boy In Wales. My relationship with Wales is one of love and awkwardness. Stake a claim to Welshness in England is often met by ridicule, do the same in Wales in an English accent and the result can be the same! I like to think that this somehow comes across in the second verse. The alliteration is obvious and probably overused I can see why come may not like it.

In the second stanza I was also trying to use words for their sound purely, I like the para-rhyme of somnambulant and ambient, drunkenness and genius.

Finally I did write 'hog' whilst drinking which may explain the good and the bad in it also.

I hope you liked my explanation.

Best Wishes.

John

 

Janet

Sat 5th Sep 2009 10:40

Hi Anthony,
glad to see you back and hope you had a good rest. Thanks for comment on Kinsella.
You'll find the previous entry in the August blogs or click on my profile and into other blogs then August. A bit of a trek i know.. :-)
As for the inspiration for it, well that's something i think a mind like yours will identify with.

Janet.x

 

Steve Mellor

Thu 20th Aug 2009 14:26

Hi Anthony
Thanks for your comment, and I can honestly say that I wasn't upset by it, but it was a bit like being back at school, where I was originally put off literature. If you read my Biog. it says that I write for my own pleasure .....
What's written in Time Flues is exactly what I wanted to say, at the time it was written. Whether it's good, bad or indifferent, it's what I wanted to say.
I shall leave the site to those more serious poets, and those desirous of improving.

 

Joan

Wed 19th Aug 2009 23:33

Thanks for your comments Anthony. Loved Edge - not dissimilar themes really. Must get round to reading more of yours.

 

Cat Parsons

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Tue 18th Aug 2009 21:05

Hello again!
Just wanted to say thanks for the time that you have spent reading and critiquing my poem 'No love lost here'.
It's amazing to see how different and punchier (!) it feels with the edit. I really like the way it has been edited too-it flows better. i'm at an open mic in Manchester on thurs so I'm gonna get practising!
Cat x

 

Cat Parsons

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Mon 17th Aug 2009 21:38

Hi anthony

thanks again fro your comments and advice on my latest blog. I spotted a couple of typos and changed a word or two, I wouldn't mind you having another read and see if it's better or whether you would further edit - I've always shied away from editing my own stuff!

Cheers
Cat x

 

Georgina Knowles

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Mon 17th Aug 2009 15:28

hit the nail on the head there, i tend to just write never really think about why...so thanks

 

Cate Greenlees

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Sun 16th Aug 2009 17:21

Hi Anthony, thanks for your comment on Our Gramps. I took you and Janet up on your suggestion to put it to music, and wrote a tune in the middle of last night for it! {Dont you just hate it when the muse strikes you at 4 in the morning} I might get round to singing it at the Tudor sometimes!
Cate xx

 

Christine Dawson

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Sun 16th Aug 2009 07:41

Hi there,
Thank-you for reading and commenting on Shhh - if I tell you - I'm glad you liked it, it's cos I am. ;-)
Cx

 

Isobel

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Sun 16th Aug 2009 00:45

Dear me - drugs, sex, rock and roll seem to have passed me by in Ibiza - how sad is that? Forgot your stick of rock - will have to go back there. Any suggestions on my new poem welcome. Thanks. Isobel x

 

maipenrai

Sat 15th Aug 2009 20:23

Anthony thanks mate for your comments on "Imagine"
Bernie

 

Tommy Carroll

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Sat 15th Aug 2009 14:57

hi AE thank you for that observation. I concur!

 

Gus Jonsson

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Thu 13th Aug 2009 14:58

Who's opened his Christmas crackers early....mmmmm

Thanks for reading AE
Gus

 

Janet

Thu 13th Aug 2009 12:48

Hi Anthony, it's about time you up-dated your profile. It was getting to be hard work finding you down there in the dungeons. :-)

Love the ''Edge'' poem in your samples.

Janet.x

 

Isobel

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Thu 13th Aug 2009 12:15

Thanks for my welcome home! Yes, I was surprised to hear a few Northern vowels in your accent. I am the same - have spent most of my life away from the North, but never lost the accent from my formative years - just the 'lewk, bewk' sound cos I got sick of people taking the mick. Loved your new poem, as did my sis, who was discussing it with me this morning...
Isobel x

 

Janet

Wed 12th Aug 2009 16:35

Thankyou Anthony and drat! i had sprinkling in there but changed it 'cos i had visions of a sprinkler system on a lawn :-)

And yes to a degree, your description of the card is quite suitable. Just for reference, i don't use drugs, prescriptive or otherwise and i learned a long time ago to my cost that alcohol in large quantities do not mix well with an intuitive/psychic. :-)

May i suggest you look up the Temperance card? You can do the 'home-work' yourself, i'm sure you're more than capable. :-)
(Sometimes i like to allow people their little games and mild deceptions. They only hurt themselves in the long run.)
Janet.x

 

Steve Mellor

Wed 12th Aug 2009 13:40

Hi Anthony
Thanks for taking the time to look at my 'poem'. Most of my 'white noise' comes from the fruit of my loins, and in turn, theirs.
Many folk seem unable to hold a conversation without using their own particular trade-talk.
I think I sort of understand/empathise with 'John'. Before her death, my wife had suffered 30+ years of MS, taking away most things that we all take for granted, and all she really wanted was to have someone to be there for her.
Thanks again
Steve M.

 

Janet

Wed 12th Aug 2009 12:44

Hi Anthony, thanks for commenting on ''If i had a pound for..''

ps. just to be a little cheeky and for the want of a comment, you missed one of mine. ''Crystal Moon.'' :-)

Janet.x

 

Cat Parsons

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Sun 9th Aug 2009 21:57

Hi
thanks for your comment on 'Fucking in pink'.
thought you might like to know a little more about the poem...

it's kind of a laugh at people who are bothered about stereotyping/pigeon holing. An ex of mine was so bothered about guys that were pink and moisturise and...etc that I almost bought him a pink top just to piss him off!
It was actually 'inspired' by a guy wearing a tracky top that had pink panels on it. I've not tested the theory yet though!

Cat x

 

Janet

Sun 9th Aug 2009 12:23

Thankyou for your fulsome response.
You sing to a different tune than i and until you mentioned it the Wham song hadn't entered my head but it does kind of alter the theme. :-)
I had a song with the line 'you'll never know how hard i tried' in it. Can't remember who sung it or even if it's relevant to the poems theme but there you go.
I see your point and will most likely edit for my files so please don't think your time is wasted just because i might not edit and re-post here. I find if i do that, it leaves an open invitation for everyone to have a go and quite frankly i can't cope with it at the moment. Too sensitive! :-)

Thanks so much for your explanation of a clause too. Put simply like that, it's easily understandable. Sentences- i was raised to believe that a full stop ends a sentence which seems to be all wrong when writing poetry. All very confusing. :-)

Janet.x

 

steve black

Sat 8th Aug 2009 16:43

Thanks for your comments on the stuff I've posted. Enjoyed your 'curse for the mildly irritating,' some decent rhymes which isn't easy.
I found 'John' genuinely moving.

 

Tommy Carroll

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Sat 8th Aug 2009 14:57

Ta Ant

 

Janet

Sat 8th Aug 2009 10:30

Hello Anthony,
thanks for the comment on 'devil and me.'
Weaknesses i have aplenty, particularly in my poems which you often pick up on. :-)
So go on, what are the petty minor details in this one?
Could it be punctuation by any chance?
I do like to incorporate punctuation into my work so go ahead with your suggestions because the ''rules'' for that seem to be very different than the rules for writing a letter etc..
BTW, is a clause the same as a sentence?
It always confuses me when people talk clauses.
Janet.x

 

Deborah R Jordan

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Mon 3rd Aug 2009 17:07

Hi AE,
ta for commenting on my last entry.
"suffer from subconscious comparison." what the barley or the sinister element? hmm. i think you have tied me up in knots slightly.not hard to do. yes, it means a sinister element. I know Sting sang about fileds of the same grain but i live among fields of various stuff and barley was the one i felt lost in in this case. There's quite a lot of it about and it's very tall and green. Easy for the children i was writing of to get lost in.I kinda wishedthey'd got lost in fields of oilseed rape instead to avoid the comparison but it was barley i meant so I'll have to ride this one out.ta. Deb

 

andy n

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Mon 3rd Aug 2009 14:05

cheers for the suggestions, anthony over the three poems.. I normally would work on them a heck of a lot before putting them up but thought I would put them straight up... I am gonna be looking at all three poems in due course, but you are right with your comments so thank you for them!

 

Helen Thomas

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Sat 1st Aug 2009 17:55

Hi Anthony,
Thank you for the link to the children's poetry competition - it's appreciated. I'll check that out.

 

winston plowes

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Wed 29th Jul 2009 10:35

Anthony, Really greatful for your recent comments on The Blood Onion. Some interesting observations. Need a bit of time to let them settle, will be back soon. Win

 

Janet

Wed 29th Jul 2009 10:25

Potentially explosive?
Well i didn't think you needed to be told a rose without thorns :-)

Janet.x

 

winston plowes

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Tue 28th Jul 2009 22:27

I have made some changes to ‘Blood Onion’, which you were so kind to leave some comments on recently. Could you please go to the blog entry and see if you think these changes are for the better or make sense to you.
Your analysis was a great help. It is meant to be 'him' feeling the anguish from the start as she is doing the 'he loves me...' thing in a taunting unfeeling, maybe manic way. Also The word 'throbs' I have decided to stick with it, take your point, it is unusally placed but we can all break the rules a little sometimes I am sure. Ihave written more details on the blog entry. Many thanks, Win

 

Captain of the Rant

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Tue 28th Jul 2009 19:52

Thanks for your comments Anthony! I think we can but try get past these social conditions - every time we do we become a little bit more free.

 

Isobel

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Tue 28th Jul 2009 08:04

You have no email address Anthony - wanted to ask your opinion on something - any chance of emailing me - I promise not to stalk you in my red shoes!

 

Janet

Mon 27th Jul 2009 15:35

Re-balloon. Oh no! You'll have to do much better than that! I want a rose with it too. :-)

My niece sends balloons up into the sky for each grandparent on anniversaries of their deaths. She did it at the funerals too. Much nicer than throwing soil in the ground. :-)

Janet.x

 

Marianne Louise Daniels

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Mon 27th Jul 2009 00:29

hello anthony, thanks for the comments.
Love your curse!! Made me splutter me tea out as I read it (two sugars for me please, its the less harmful of my many vices).
trying to get audio stuff up soon when i get my hands on a mic.
cheers
xx

 

jane wilcock

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Sun 26th Jul 2009 15:23

Thankyou for your comments on H1N1influenza, perhaps I should have added a bit about the eye( the great eye of Sauron that is)!! I enjoyed your prose above but am particularly drawn to Lifelines. The picture of the woman knitting and the poem are exact, did the pic spur the poem I wonder.
best wishes, jane

 

Pete Crompton

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Sun 26th Jul 2009 13:11

Anthony, thank you for your comments, feedback and support. Its really appreciated. Lucky you living in rural Devon! I have been there as a child, would love to go back...if only I can find the time...need to escape......


thanks again

 

Sophie

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Sun 26th Jul 2009 01:02

Cheers for the comment anthony! Dont tell anyone but I FUCKED IT UP. It was for Garnier, not Loreal she did the ads for. I'll have to hastily edit it at some point...
Lol thanks I premiered that poem live tonight to quite a muted crowd and it got the most laughs. Phew.

Hows it going down your end anthony? Im in manchester tomorrow for another gig if youre around xx

 

Cynthia Buell Thomas

Wed 22nd Jul 2009 13:05

Thanks for the explanation of 'fantasy'. Not to blow apart any succouring bubbles, but that 'beach scene' now so prevalent as a romantic icon, would in reality have had sand in body parts not happy with grit.

 

Christine Dawson

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Tue 21st Jul 2009 16:46

Hi Anthony,
If you scroll down on this link to 'News' you can find a couple of recordings of Shafilea's work.
http://www.manchesteronline.co.uk/video/
Cx

 

Cynthia Buell Thomas

Mon 20th Jul 2009 20:16

No, you weren't dreaming. It was The Virgin. I hadn't seen the entry Sex Addiction or whatever, when I posted mine. When I saw the other one cheek to jowl so to speak, I panicked. I didn't want mine to be associated with it even by space, because the Virgin is not a joke. I'll put it back. Thanks.

 

Isobel

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Mon 20th Jul 2009 19:51

I understand what you are saying Anthony and can see that too much I could become self indulgent. You are right to say that we need to look at fresh subjects and different ways of expressing the same themes - just so long as we don't inhibit people from writing the things they really need to.
It is all a great exaggeration to say that my legs go up to my armpits BTW - but not one that I object to - a bit of imagination and poetic licence never hurts....
Isobel x

 

Steve Smith

Mon 20th Jul 2009 13:37

Dear Anthony,
Thank you for your comment - I appreciate it! As for Shafilea's poetry, it is in her family's possession!
Stephen Smith

 

Isobel

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Sun 19th Jul 2009 19:58

Anthony - not sure if you revisit poems to check for subsequent comments but I responded to you there. Just wanted to say that I am fond of you as a fellow poet - would never take serious offence by anything you said cos I can see that like Steve Regan - you just like to stir things up a bit cos you're mischevious. I like to stir things up too sometimes and you can't do a rant without a bit of venom - can you?
Isobel xx

 

sally jenkinson

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Thu 16th Jul 2009 22:49

cheers me dear. prose looks exciting! i havnt the time to read it now, but am looking forward to sitting down with a brew and having a proper peruse...xx

 

barrie singleton

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Thu 16th Jul 2009 19:22

Hello Anthony. This will be brief as I am clobbered by adversity right now. You clearly have wide talent. Loved the prose style and was getting drawn in, but no time. Thanks for comment on 'Loss Leader'.

 

Janet

Thu 16th Jul 2009 13:45

ps. forgot to mention. I liked the cheeky pic you had before but this one is colourful and it makes me wonder if you chose it at random or if you were drawn to it.

Janet.x

 

Janet

Thu 16th Jul 2009 13:42

Hi Anthony,
thanks for your comment and feedback on my poem ' The Healer '. I've included a comment below the poem if you'd like to assist further.
I do agree about the first line so your writing experience will be gratefully accepted.

Janet. :-)

 

Augusta Darling

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Wed 15th Jul 2009 22:05

good Evening Anthony, Ref:Crazy Girl

Thank you so much much for your kind and
encouraging comment, I'm so sorry I have been unable to reply, I have been away for a week or two in Yorkshire. very pleasent and quiet..managed to catch WOL Slam at Hebdon, the town was as quaint and interesting as the poetry.

Once again so many thanks for your most considered interest in my work.
Augusta x

 

Steve Regan

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Wed 8th Jul 2009 10:19

Crikey, Anthony, do you always dress like that on the clifftops of Devon? And yes, do call in and perform / read at a NW poetry club. Once you get used to the poisonous politics and monstrous egos thrashign around, we are quite a nice crowd.

 

Isobel

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Tue 7th Jul 2009 06:55

Yes - I'd kind of guessed it wasn't your arse Anthony - it looked very much like an image you'd get on google - it was fun though. So the fool has hidden depths then? Just as well since I like to fool around a lot myself and it is a mask I often adopt...
Isobel x

 

Isobel

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Mon 6th Jul 2009 20:58

Oh Anthony - never bow to pressure - unless it's to give me a better view. I rather liked your sphincter and you are anything but a fool.
Isobel x

 

Cate Greenlees

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Thu 2nd Jul 2009 13:41

Hi Anthony, thanks for your comment on The Body Builders Lament..... Im sure your little beer belly is more attractive than a six pack to most women, judging by some of the comments Ive received!
Love your work. Ive been reading back on some of it and have sent some comments on past poems....... Good thread you put up even if I dont agree with some of your comments!!!! {Watch this space, you may get a mention in my next effort!!!!!!}
Regards Cate xx

 

Ros

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Wed 1st Jul 2009 14:18

Hi Anthony.. Thank you for your comments on Within Four Walls... glad I was able to surprise you.

I have visted Gt Torrington and seen the Plough Centre..I had the most delightful day out there loved it. Thanks again for your encouragement.
Ros x

 

Isobel

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Sun 28th Jun 2009 07:56

Thanks for your comment Anthony. I see 'What's It All About' more as social comment than political poetry. If it is political then it is very soft political. The message is the need for equality, mutual respect, inclusion, compassion and dare I say it, the L word....I'm not sure if there is a political party out there capable of giving it us - that comes from within - if only you could extract it and dish it out like a vaccine - then we'd be living in paradise.
Isobel x

 

Janet

Fri 26th Jun 2009 13:28

Hi Anthony,
sorry i forgot to thankyou for your comment when i re-introduced my profile. It was a phase i was going through. :-)

Janet.x

 

Isobel

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Fri 12th Jun 2009 17:23

Thanks for your lovely comment Anthony. I read it to my mum, who thought that your words sounded like poetry in themselves. I guess I felt a bit guilty about posting that poem cos it took no time to write and wasn't particularly sophisticated. Those feelings just had to come out of me there and then and I didn't have hours and hours to hone it. You and all who commented made me feel a lot better about the poem. Thank you.
Isobel x

 

steve garside

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Fri 12th Jun 2009 08:43

thanks to you all for your comments on this poem folks - i still need to end the last line and am thinking about it - the poem took about 15 mins to write the first draft and as such, you can tell this from the reading

many regards as always for taking the time to read and consider my poem(s) it means a lot thanks

steve x

 

winston plowes

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Wed 10th Jun 2009 16:34

Hi Anthony. thanks for commenting on Oil & Cheese / Chalk & Water. Observations lefton the blog entry. Thanks again Winston

 

Isobel

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Tue 26th May 2009 08:20

Thank you for your lovely comment. I love your poetry so it meant a lot.

 

barrie singleton

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Sun 24th May 2009 20:05

Anthony - apologies. I have only just registered your very full approval of my stuff. So I have taken a look at yours - 'like you do' (:o). I see we share the 'human condition' as a spur. I find 'Phoenix' particularly arresting, and overall, feel you use language evocatively (Oh help - is that a word?) and have a nice turn of phrase. I think your style is more acceptable to the modern judges taste than mine, so you should be winning prizes soon - if not already. All the best. Barrie

 

Paul (Admin)

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Wed 13th May 2009 13:36

Sorry I forgot to thank you earlier. So thanks for commenting on the 'Expert' poem - really appreciate it.

 

Steve Regan

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Sat 9th May 2009 11:59


Your 'lifelines' ... a marvellous evocation of love lost, the cruel sea and the beautiful land of Cornwall.

Loved these lines, among many, Anthony ...

'her days, her nights are one, the same -

a gift of darkness borne by grief

to wounds already salted well.'

And the mention of Lamorna...oh,that walk from Mousehole to Lamorna along the cliffs never fails to blow me away with its beauty! I must get down to Cornwall again soon.

 

sian howell

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Fri 17th Apr 2009 20:55

hi Anthony thanks for your interest in Gone to Earth..The whole piece just came to me and I think when I wrote "sylvan" I had in mind a Mellors type figure Sian X

 

Janet

Wed 15th Apr 2009 21:14

Hi Anthony,
thankyou so very much for your in-depth comment on 'Pigeon-holed.'

You wowed me with your perception.
Janet.x

 

Shane alexander stanisauskis

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Fri 10th Apr 2009 16:21

Hi antony thank you for your comment i really appreciate it! Although i have to say being compared with eminem is lovely, But im nowhere near his level..... lol....Im just trying to be myself and write in my own style..Thank you for your encouragement and ill look out for more of your work....Take care mate...

 

winston plowes

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Fri 10th Apr 2009 09:51

Hi Antony
Thanks for connenting on the Razor Shell haiku.
Winston

 

Janet

Fri 10th Apr 2009 08:34

Hi Anthony,
thanks for your comment on 'the one which nearly got away.'
and thanks for the inspiration to write another poem. All i have to do now is imagine what it's like in the life of a shredder. :-)

I love the George Best tribute by the way.
Football isn't really my thing but he was so popular and well known and his life so colourful, i enjoyed reading about him here.
Stay well :-)
Janet.x

 

Deborah R Jordan

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Wed 8th Apr 2009 19:05

Hello Anthony, thank you for reading Springtide and your kind comments on Springtide. Thanks also for introducing me to another new word, sibilants, it sounds like some of those minions with exoskeltons but I'm sure it isn't, so I'd better look it up. They could be green with ten claws and live under shipwrecks.. or maybe I just had too much wine at Hebden last night.. thanks again, Deb : ))

 

Steve Regan

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Wed 8th Apr 2009 14:41

Anthony, I enjoyed Your IDOL homage to George Best - written with passion - and the footnotes. You write in a variety of styles. Not everybody does that but I think it's good.

Football is amazing. At root, it is an immense waste of cerative energy - 22 men chasing a bloated baldder around a field and trying to slot it between two posts. But beneath the apparent banality there is ... beauty, poetry, magic, athletic grace, tribalism, and, yes, passion. Keep writing. Be the best.

 

sally jenkinson

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Wed 1st Apr 2009 15:28

thank eeee for your kind words anthony. i've posted the link for the song on me profile...im a hillbilly at heart! hope you likes.
also, the doomsday man is bloomin majestic! bestest, sally xx

 

Janet

Sun 29th Mar 2009 23:13

Hi Anthony,
thanks for my haiku and i'm very well thankyou.

Thanks for your comment to my 'regal' haiku too.
Inspiration came
from your haiku coo's and kews
gardens of eden.

Janet.x
ps. it's fun to be silly for a change, some of the threads get so serious. :-)


 

Freda Davis

Sat 28th Mar 2009 20:32

Thanks fr your comments on my poems Antony,
I like yours too. Very evocative the misty early morning stuff. As for the fluff, keep searching.

Freda

 

Frank Burton

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Fri 27th Mar 2009 16:13

Hi Anthony, thanks for the compliment. Allow me to return it by saying I enjoyed the richness of language in your poems. "The Doomsday Man" made me chuckle.

 

George Stanworth

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Fri 27th Mar 2009 15:18

Hi Anthony,

Thanks for your kind feedback. I have always found self-deprecation to be a pretty useful way to get an audience on side before I start to mock figures of authority.
I enjoyed reading your poetry. The Watercress Girl has some wonderful imagery and The Doomsday Man is perceptive, mocking, and has a very powerful ending.
George

 

alan barlow

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Fri 27th Mar 2009 01:57

oh by the way the link i think is fubar but heres is a link to the featured piece and a link in th lat post to the ezine too

regards al

 

alan barlow

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Fri 27th Mar 2009 01:52

ello mate thanks for the welcome and for the chuckle i had on your comments about my "dark" work haha

i dont solely write dark for any particular reason apart from that i write what i feel as do most but as and when i wish to evangelise about a summers day etc i will, as im not totally into nihilism.

im keen to ultimately get my work published in answer to your question and am keen to make inroads into doing that (ability permitting)

 

Marc Box

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Wed 25th Mar 2009 13:43

Hello, thanks for the kind welcome and feedback!
I'm impressed by the very thoughtful and supportive commenting I see within the community here.
I'm even more impressed by the volume of interesting, amusing and moving writing.
On the whole I'm very glad I inadvertently stumbled on WOL. Pity I can't remember what I was actually searching for... but I don't care anymore!

 

Arthur Chappell

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Wed 25th Mar 2009 08:29

Love the audio recording of The Watercress Girl, - nicely read.

 

bill

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Tue 24th Mar 2009 08:54

thanks Anthony,
trouble is anyone employed by the nhs who attempts to whistle blow or protest in any useful way against such abuses, now runs the risk of being victimised. According to bbc 4 'Today' this morning, if Jackie Smith gets her way, anyone who dissents in any way against what this government is doing runs a serious risk of being branded an enemy of the state !

 

Janet

Mon 23rd Mar 2009 17:32

Hi Anthony,
George Clooney. He's ok i guess. Brad Pitt does nothing for me at all. Johnny Depp however is another matter altogether. Phew!

Thanks for your lovely observations on my Mandolin poem. I had the same thought about the Rod Stewart connotations but i do love that song anyway. I wrote the poem while listening to a meditation cd and the mandolin was part of the instrumentals.

Janet.x

 

Malpoet

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Mon 23rd Mar 2009 16:19

Thanks Anthony

Your work is good and very diverse. I will continue to follow it.

 

Sophie

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Mon 23rd Mar 2009 15:49

Oh you, thanks. Yeah Im not sure if its entirely 'good' yet. But Ive audio'd it anyway to see if sounds better as a performance piece. See what you think perhaps.

Im going to have a good rummage through all yours later. Beware. I have eyes that read words. Deadly. x

 

Sophie

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Sat 21st Mar 2009 16:35

A hearty breakfast by the way - is a fave of mine

 

Sophie

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Sat 21st Mar 2009 16:33

Well thankyou and I very much like you for saying so : )

You have so many poems that you will probably break my mouse scrolling wheel - however I think the ones Ive read so far are exceptional and make me want to bleed new words out of my eyes to somehow defeat you in literature-war.

For now though - I will simply nod and say bravo, you wordy creature. : D x

 

Antonionioni

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Fri 20th Mar 2009 00:05

Hi there Anthony - thanks for giving my piece a whirl - it was a bit long but I just got carried away! Next time I'll do a musical haiku!
A bientot

 

Jack Baker

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Mon 16th Mar 2009 12:42

allright anthony, really enjoyed 'myspace' - would make a very powerful performance piece, also The Gift is a shows such warmth and affection, and resides in a completely different voice then your other work.

 

Christine Dawson

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Thu 12th Mar 2009 00:12

Thanks for reading and your kind comments on 'A Poem'. It was a painful experience, for sure, writing helps.
I preferred your smiling face photo by the way!
Cx

 

Francine Louis

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Wed 11th Mar 2009 18:15

Thank you for your lovely comment Anthony...
I just read 'Weather Report' And I especially liked this part:

But oceans could not
scour away
the footprints
in the sand of me.
Each stinging kiss
has left its hollow mark
on skin that feels
forever scarred
and stained.

Even though this is very sad and I can feel the depth of emotional pain - it's beautifully written...

 

Janet

Wed 11th Mar 2009 18:09

Hi Anthony,
thanks for your comment on 'cause and effect.'
Yes it is about being stopped by the police.
I didn't actually mind being stopped, although i'd done nothing wrong. It was his whole attitude in his belief that i had. Not allowing me to speak and his unprovoked verbal attack which i was shocked and upset about. I was simply trying to do my job as he was supposed to be doing his.
The problem is, if i'd got his number and reported it, how much more of the same could i look forward to in the future. It's so frustrating and downright unlawful to use the power of a uniform to vent feelings and cause untold upset to an innocent person, then not even have the decency to admit that this time they got it wrong. I don't get that kind of treatment from some of the most drunk customers let alone the police.
Now i feel much better because i can vent my frustrations in writing. :-)
Thanks again.
Janet.x

 

Elise Lennon

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Wed 11th Feb 2009 21:56

Myspace is simply beautiful, Anthony. we sleep through so much even while awake. you described the uglier aspects in our lives so well yet i felt protected as i was in the room where none of that mattered.
thank you for your comments, i have alot to learn about structure and rhythm yet.

 

Gus Jonsson

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Wed 11th Feb 2009 17:56

Hi Anthony Thanks for that ...bit partial to red heads myself!

Thanks again
gus

 

Janet

Tue 10th Feb 2009 22:19

Hi Anthony,
thanks for commenting on my haiku.

As to your poem, silent critic. I can relate to cyber bullying, not from personal experience but because of someone on another site i'm involved with completely unconnected to poetry.
She constantly tells everyone at every opportunity about her cyber enemies, writing reams of text. I'm aware this kind of thing happens and not only in cyberspace.

Janet :-) x

 

Deborah Jordan

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Fri 6th Feb 2009 20:30

Hi Anthony, what can i say? your new profile pic..instead I will say thank you for reading my posts and taking the time to write such nice comments, sorry it's taken so long to write back. Some of Traveller Sickness autobiographical, some not, small embellishments. Early form of road rage before the phrase,and anger management, became fashionable.Could have been worse.
hope you enjoy the view from there... .D.J.

 

steve garside

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Fri 6th Feb 2009 08:21

Hi Anthony,

thanks for taking the time to read and make comment on Beerwolf

steve

 

Janet

Thu 5th Feb 2009 15:34

Hi Anthony,
thanks for your comment on 'why'.
No worries as to the reason you didn't understand it. The dog isn't a metaphor. It's kinda just an observation in relation to the essence of the poem.
I suppose i could have put the word 'like' a sarcophagus but didn't feel the need for it.
To be honest, i was a little unsure of what reaction there would be to it but blogged it to find out. I'm happy with the comments, including yours.
Thanks again for taking the time to read.
Janet.x

 

winston plowes

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Mon 2nd Feb 2009 19:47

Hi Anthony, thanks for the feedback. Can you have another look at News seller? left comment there. Winston

 

Antonionioni

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Sun 25th Jan 2009 18:46

Hi Anthony - I was just being silly - I was inspired by your gurning face - a very handsome chap you are too - and that made me think of Mr Gurney. Worth checking out though, I hope you agree!

 

Anthony Brockbank

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Mon 19th Jan 2009 22:18

Hi Anthony, thanks a lot for the comment, it's much appreciated. I've read your stuff and I'm very impressed with 'The Other Side of Kenneth', I felt a great sense of maturity within it. Good work!

 

Antonionioni

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Sun 18th Jan 2009 23:41

I meant to ask you, Anthony - have you read any Ivor GURNEY, the First World War poet?

 

Helen Thomas

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Sun 11th Jan 2009 14:26

Being a fan of clever rhyme and lyricism, I have to say that I loved reading '...not the only fruit'. I bet it's especially good in performance - I could see you winning slams with that one - that's if you haven't done so already.
HT

 

Deborah Jordan

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Tue 23rd Dec 2008 21:17

Thanks A.E. for your comments about Susto. I think we should adopt the word, I agree about the stength and meaning it carries. Unfortunately soul - loss is not commonly recognised as cause of....anything much in our culture..I read of it through Elena Avila. Best wishes, Deb

 

Pete Crompton

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Sun 21st Dec 2008 14:05

Only read of few of your poems but am Impressed so far, 'my space' and 'testament' really flick the poetic switch for me anyway.

looking forward to reading more stuff.

 

cjd

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Tue 16th Dec 2008 22:55

Thanks for your comments about 'Daisy'.
I am trying to get audio on myself - I've been told you need a mic and a sound card (which apparently my computer already had) and a free downloadable programme called 'Audacity'. So far I've managed to record well enough but I'm having difficulty converting them to mp3 - do you know anyone who is good with computers (most 5 year olds it seems)?
Good luck!
Cx

 

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