"The … abstract poems … are patterns of sound. They are...virtuoso exercises in technique of extreme difficulty, in the same sense as that in which certain studies by Liszt are studies in transcendental technique in music." (Edith Sitwell, 1949)

Whoop! Boing boing….Futurists and dadist created the first sound poetry, of-ooOOOO-ten considered barmy by tick the establishment oink. Onomatopoeias, whilst not as pure as my attempt at sonic poetry, quack has also an honourable, if limited, tra-tarabumdeeA-dition. Whilst the b.b.b.b.beats themselves be-bopped bedevilishly.

I particularararly like the idea of simultaneous poetry, invented by Tristran-bonkers-Tzara, (in) whenich a poem is read in different languages, ‘bonjour megan’ with different rhythms, Numero neuf number tonalities nine , and by different per-idiots-sons at the same time. jkweahgk

Pee, Pee Crompton, ha ha himself, quite sometimes oftenly uses elements of sound eek in his spoken words, per-chips in quite inappro-argh-priate and meaningless ‘bang’ ways though it does bring a certain joy-quack to his work especially braaabarph after he has downed several G&Ts.

Whi-k-lst Glennon has used tchk tchk drum and even attemptedddddd de dedeee a word symphony, knee solvent.

So I now eschew ew ew ewe u words and hope to take the embryonic ideas inherent (tent) in Crompton & Glennon's apotheosic presentations to an even greater garlic... Klqr3knn Tbsm,njkm BmknkNNNlnjkmbOrsg jkavnj7kbvkja...(edited: ED)