Why the sonnet is cool: Paul Farley
Fascinating conversation between Mark Haddon and Paul Farley in the Guardian's review section yesterday. During it Farley said something about form and the sonnet that I really relate to:
"A sonnet is experimental. You shouldn't know what the last line is going to be. Engaging with form - any form - means there's a chance you'll say something you weren't going to say ... people think the sonnet is antique, that it's dusty, but there's a reason why it's been so durable."
http://www.guardian.co.uk/books/2010/apr/03/mark-haddon-paul-farley-conversation
There are other reasons why Farley is my hero ... he takes lots of photographs, he watches birds, and he wrote a brilliant poem about he death of Sylvia Plath and the Beatles' first LP ...
"A sonnet is experimental. You shouldn't know what the last line is going to be. Engaging with form - any form - means there's a chance you'll say something you weren't going to say ... people think the sonnet is antique, that it's dusty, but there's a reason why it's been so durable."
http://www.guardian.co.uk/books/2010/apr/03/mark-haddon-paul-farley-conversation
There are other reasons why Farley is my hero ... he takes lots of photographs, he watches birds, and he wrote a brilliant poem about he death of Sylvia Plath and the Beatles' first LP ...
Sun, 4 Apr 2010 06:09 pm
Greg, I will check this out tomorrow. Thanks, as always, for enlarging my scope.
Tue, 6 Apr 2010 06:08 pm