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Six Bad Poets: Christopher Reid, Faber & Faber

Go to a gathering in poetry's metropolis, and it’s surprising how often you spot Christopher Reid there. Now there appears one possible explanation for his ubiquity: all the time he was gathering comic material for his rollicking narrative poem, Six Bad Poets.

I feared that I might not appreciate this book, on the grounds it would amount to a knowing insider’s tale of London poetry goings-on, f...

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Review

On Euclid Avenue: J Fergus Evans, Flapjack Press

The Manchester poetry scene has been enriched by a number of North Americans over the past 10 years. J Fergus Evans adds to the trove with a fine collection, On Euclid Avenue, published by Salford’s Flapjack Press.

Evans’ first collection carries the reflections of a mature and discerning writer ...

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Rhyme and metre and the rhythm of rail at Sowerby Bridge

There were poems about the North Yorkshire Moors railway and the Ribblehead viaduct, about liaisons in carriages and seaside specials, about old tracks turned into walkways, and even about slinging ch...

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Review

To Sing Away the Darkest Days: Norbert Hirschhorn, Holland Park Press

No book which looks at the Jewish race through its language and culture, as Hirschhorn’s does, can completely avoid asking all the unanswerable questions.   But it seems to me this collection of work ...

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Review

Train Songs: eds. Don Paterson and Sean O'Brien, Faber & Faber

Maybe I should put my trainspotter’s notebook aside as I clamber aboard to review the Faber anthology, Train Songs, edited by Sean O’Brien and Don Paterson. Am I justified in wondering about the numbe...

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Review

Air Histories: Christopher Meredith, Seren

Air Histories, the latest collection from poet and novelist Christopher Meredith, is a protean work, shifting from archaeological landscapes to Oedipus. In this it reflects the poet’s career as poe...

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Review

Rhyming Thunder: the alternative book of young poets, Burning Eye

Spoken poetry in the UK is huge at the moment.  Call it what you will, spoken word, performance poetry, there is an abundance of fresh, impassioned acts out there.

Editors James Bunting and Jac...

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Review

Gingering the World from the Inside: Anna Freeman, Burning Eye

The title of this first collection from performance poet Anna Freeman is the only thing not to like about it.  Freeman is a redhead, and, like many ginger performance poets, uses this fact to make ...

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Poems to Elsi: RS Thomas, Seren

“It was a day when Diane Abbott MP was 47, and Alvin Stardust 58, when they honoured RS Thomas.”  So writes Byron Rogers in his introduction to The Man who Went into the West, a valuable and highly...

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Review

The Forward Book of Poetry 2014

In my bookcase are ranged the Forward prize collections for the last five years. They look so neat, lined up together in their plain white jackets. I bought the Forwards automatically and compulsiv...

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Sisters: Jennifer Copley, Smokestack

If death is the last taboo this book breaks it open and stares unflinchingly inside.  Beginning with the rather startling front cover – an example of Victorian post-mortem photography of two sister...

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Review

National Poetry Day: going with the flow at the Southbank

National Poetry Day may be over for another year, but the memory lingers on. For some, it may be the Prince of Wales reading Dylan Thomas.  For me it is of a splendid afternoon of live poetry compe...

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Review

Mud Wrestling With Words: Bang Said The Gun, Burning Eye

Bang Said The Gun’s anthology Mud Wrestling With Words defies the conventional, carefully-weighted review – and I’m sure that’s the way the organisers of the weekly ruckus at the Roebuck pub in sou...

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Review

Grand performances as TS Eliot tour drops in at Oldham library

This was a feast of poetry at Oldham library, and part of a tour celebrating the 20th anniversary of the TS Eliot prize that is taking 36 nominated and/or winning poets on a 10-date sashay across t...

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Review

Red Devon: Hilary Menos, Seren

Red Devon, Hilary Menos’ second collection, is a book about farming: about mud, manure and long dead hours spent ploughing; about thistles, slurry and dead sheep rotting in the yard. Inspired by Me...

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the light user scheme: Richard Skinner, Smokestack

This interesting book of poems deals with excerpts and extracts that form the basis of ‘the secret springs of action’, as one of the pieces is entitled. People caught in mid-thought, mid-step, mid-...

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Review

How I Learned To Sing: Mark Robinson, Smokestack Books

Mark Robinson sees angels all over the north-east, far beyond the Antony Gormley landmark that greets the A1 traveller heading towards Newcastle. And ghosts, too. In How I Learned To Sing, a genero...

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Review

Let freedom ring: dreaming of Martin Luther King on the Southbank

A day that began with voices including Maya Angelou, Doreen Lawrence, and the Dalai Lama reading extracts from Martin Luther King’s ‘I Have A Dream’ speech on the BBC ended for those in London with...

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Review

A Child's Last Picture Book of the Zoo: Louise Warren, Cinnamon

  ‘Excavations’

 

    It came with the house.

    A lungful of earth coughed up

    with all the disturbance, the laying of foundations,

    the sinking of  drains,

    and ...

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Review

She Inserts the Key: Marianne Burton, Seren

Based on a series of observations around hours of the day called  ‘Meditations on the Hours’, this debut collection is remarkable not only for its assurance of technique, but for the poet’s ability...

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Review

Temporary Safety: Rose Drew, Fighting Cock Press

We learn, on the back cover of Temporary Safety that Rose Drew’s favourite place is in front of a large audience. That’s obvious from her book: the works in it make themselves clear at a first read...

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Review

Sex & Love & Rock&Roll: Tony Walsh, Burning Eye

Tony Walsh is a leading performance poet with his roots very firmly in the north, whose first open mic gig was in Manchester in 2004. He performed at Glastonbury the following year, and this is his...

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Review

Dear Boy: Emily Berry, Faber and Faber

Dear Boy, the debut collection by Emily Berry, is made up of poems that put on outfits and adopt personas as easily as the best con artist, all ultimately relating the story of middle class, 20-som...

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Review

Stanza Bonanza: poets from Reading and Greenwich in high-scoring draw

The Poetry Society had billed it as Greenwich v Reading. But you mustn’t think of this meeting of two of the society’s Stanza groups at London’s Poetry Cafe as a football match, I kept telling myse...

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Review

Versions of the North: edited by Ian Parks, Five Leaves

Kirkgate Market Cafe, Manningham Mills, Adel Crag, Flamborough, Warley Cemetery, Tinsley Towers, Humber Bridge, Holderness …  a seam of poems with  place name titles in this anthology of contempora...

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Review

Outfoxing Hyenas: Alan Price, Indigo Dreams

This is a debut collection, divided into three sections and telling of voyages, time, music, of boyhood and pubescence in which mythological, literary and art references abound. It is a rather mixe...

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Review

The Word on the Street: Paul Muldoon, Faber

Paul Muldoon is one of Ireland’s leading contemporary poets. He published his first collection in 1971, taking his place as the youngest member of a group of Northern Ireland poets which includes S...

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Review

A voyage around her grandfather: Cynthia Buell Thomas at Sale

In 10 years of running Write Out Loud I don’t think I have witnessed as magnificent a reading as that delivered by Cynthia Buell Thomas in her showcase slot at the Sale Write Out Loud last night.

...

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Review

More for Helen of Troy, Simon Mundy, Seren

An ancient world looms large in Simon Mundy’s collection, usually as a point of comparison with a (mostly) inferior modern world.  In Radnor Songs II, “iron” in times past “meant victory”,  not the...

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Review

On Becoming A Fish: Emily Hinshelwood, Seren

In our increasingly urbanised surroundings, with the commonplaces of environmental degradation and decline, how should we write about the natural world?

This question, which of course has no si...

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Review

Newspaper Taxis - Poetry After the Beatles: ed. Bowen, Furniss, Woolley

“Newspaper taxis appear on the shore / waiting to take you away” are two of the lines from John Lennon’s surreal Lucy in the Sky with Diamonds, a song that he always insisted was not about LSD, on ...

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Review

Tony Harrison's v. and the commodification of outrage

For reasons I can't remember I have two copies of Tony Harrison's collected poems. Perhaps I think one will illuminate the other. I don't read either of them very often. If I have a session which m...

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