INTO THEIR HANDS
INTO THEIR HANDS
There are walks and there are walks;
the big difference is that on some we talk
but not on others. On some (like those with
brother Jon, well content resident expat of
what was once the exotic, despotic and
generally chaotic empire that sat uncomfortably
astride East and West), the rarity of their occurrence
demands that we speak – so we chit the chat and
shoot the breeze; we externalise and so reveal
the latest private small talk, tomorrow’s public sleaze.
And there are walks which are so much more,
walks which are as choreography to the ballroom floor,
the essential design and the precise plotting of which is
required to be inch perfect and so assist
the dancers in deploying to best effect their
highly tuned bodies and dovetailed heads. Yet
I am no dancer, my body has not the strength or skills
to answer the calls of the thousands of artists whose
visionary combinations of scores of steps continue
until night cedes sky to dawn with nothing left to lose.
My own steps do not bear comparison;
they may be likened to the dancers’ only
insofar as my walks, like a dance, tend to start
and end at the same place. But the visual content
of the dance itself, already beautiful through nature,
may be enhanced by nurture’s improvisation: catch
the evening moment when multiple horizons are
kissed by a dozen blushing, mixed pink brushes,
all daubed with grey and gold, and I realise that complementarity
is not the same as, and does not speak for, hierarchy;
and that hierarchy makes promises to none.
Walking daily the paths and trails through
deans and dales close by my home for thirty years
has taught me much about the ties that attach to
limbs and leaves, to trunk and torso, also the links between
you and me and those whom we are, we think,
meant to love or supposed to fear. Over time,
we lose all trace of dry tuition, of formal, cloying
contractual conditions; we step back and observe
the work done: an understanding, of a kind, of
parents and good friends and (dare I say it,
for the work is incomplete) of the flora and fauna –
which I have largely written down that I might convey it:
each forest houses tens of thousands of trees,
each tree in turn a thousand limbs, each limb
at least a million leaves – each one able to grow
or be particular as to the depths (or direction) of
our winter paths through deep and freshly fallen snow.
But it is not so much the adventure pregnant in
every cloudless sky or the rush of a swollen river
through the parched riverbed nearby. For me, it’s for
the thousand times I’ve quietly walked these dozen tracks,
unbiased (save when bluebells light the glade or heather lies
mauve across the heath), each redolent with the phrase…
“I nothing lack if I am His”, prised from the staple hymn
“The King of Love my Shepherd is” and the word “His”
denoting the said King (God). Odd perhaps that a hymn
from my dim and distant past (and the characters in it)
are deemed to deserve such musical attention but I offer
no apology for humming, or mumbling, a hymn (or any part) even
without a clear and witnessed foray into a church to validate it.
In any case, we do not deal in dividing lines between
walks with talk and those without, nor ideas for caging voice;
I wrest such from the ne’er-speak-wells, from the spoilers of
baroque denouement, from the authors of multiple choice.
Let’s take a breath to remind ourselves of
the intended primary beneficiaries of this clumsy missive
and why. (My task was set when my guard was down –
asleep perhaps? If so, I will thank the leaver of the message
and encourage him similarly to postpone his postman’s
further responsibilities!). As for beneficiaries, I wanted only
to restore belief in the idea that peace is preceded by
quiet contemplation and an unimpeded, steady flow of
oxygen through the body and brain, a message to all who keep
a toe in the door (perhaps a little more) as regards
opportunities to shore up their inner strength,
their physical and mental core, their engines of life.
For me, it seemed straightforward common sense.
And yet it is so much more. So much so that,
without fear or care for ridicule, I hereby out,
by blanket revelation, all that might conceivably
be viewed as dangerous liaisons, major or minor,
all I have said or whispered above about where and
what is love. It is true that I do give all I can to
commune with the trees; I see their ways, I seek their wisdom.
And were I a religious man, I would offer up to the padre
my failings, in the name of confession, beneath the shady
box trees in the yard; but were I not, the words might be the same
but in the copse across the meadow, down the chalky track
or, in summer, under the single copper beech.
I so consign myself into their hands. “I nothing lack ….”.
Greg Freeman
Mon 4th Jan 2021 14:27
I love walking poems, Peter, and they are particularly important now ... but there is so much more here than that. So much material for thought. Thanks for sharing.