Moare Older Poems (1984-2002ish)
Deep If you are agonising Over which designer egg cups to buy Then your life may be Too full Of vanity And frivolity Smokin'! I am a professor of social engineering My cigs are my social toolbox "Would you like a fag?" to a room of strangers = "I come in peace" Embarrassed, awkward? Anxious, cracked a bad joke? Light up a fag! Want to look generous? Offer everyone a cigarette I'm never alone With my 20 Strands Trying to look sophisticated? Want to meet more people? START SMOKING! Want Rebel Legend Mystique? Smoke Marlboro Reds Want to be a supermodel? Smoke Bro Golds Want to be a true player? Smoke Camels Well I did not play myself in But I made three appointments at the dentist On the off chance That I would Down Memory Lane Some of the windows Have a rose tint The road is cobbled with millstones Down short-term memory lane There is a pothole Manners I was quietly picking my nose And got a bad reaction Do they react so strongly When they see things that are really disgusting? (Her) Presents If I was a poet I would say that the only thing that you can change is the present Not the future or past But that is not true There is no receipt or proof of purchase as All presents are given And we receive the present But that is not the same thing as fate The hardest thing in the world Is sometimes the music stops You get excited And you have to pass the parcel No one forces you to You just have to let go It is harder if it is your birthday Or it feels like it is It is difficult when it is a mystery prize Or a ribboned riddle I think proper poets call it passing by There are a lot of presents in the future But a lot less in the past And the only way to find a good present is to Get stuck in to the lucky dip of life and Help yourself Port In a port things come and go In a port some things never return In a port you feel the rain more In a port some people are cold In a port there are dark cocoa mills In a port there are betting shops In Portakabins by the docks In a port there are many boats and faces In a port there is always something fishy In a port things can't stay the same Choonz Cars go by Hissing with the sound of amplified hi-hats Some slide by like rattle snakes Others sound like dodgy kettles V.S.O.P I'd like to be the writer type With a click click typewriter I would have to smoke a pipe And relight it with a lighter I would drink black coffee Pondering , scratching my beard I'd get brandy from the offy And people would say " He's weird! " Centre of the Universe I can see the love glowing in your eyes Or is it the Starburger sign I see? Doner kebab is in the air Or is it love? This is Frimley Noise and smell I want to give all this to you Lets hit the traffic island ( as in town) Please do not give me the cold , hard shoulder Roads, motorway and dual carriageways You are the quiet above the drone My focus in this blur You are a daylight smile Underneath the withering neon glare You are the music above the electric hum A reference point in this featureless town In streets of monoxide and lead Your oxygen goes to my head You are strobe animation among grey suits Are you real virtuality or Vanessa Parody? You seem to fluoresce in that dress You masturb my disturbation Dilute my concentration You are some stillness in the swarm The Closed Circuit Teardrops In this takeaway town No one gives a fuck Everything has a short shelf-life: Jobs, marriages and friendships Modern life seems to be made of many Velcro relationships Pushed together Torn apart Please don't crush my Styrofoam heart It will not decompose It can not be recycled You smoulder like a cigarette Not extinguished by this ashtray town It is not the cigarette that counts It is the packet that matters The electric light in this room is so strong It feels like it is bleaching my head and hands In this town there is no scenic route Nothing is in black and white Just grey Rowhill I like to play on words Like they are blades of grass In a field on a sunny day I do not use artificial fertiliser on my words Just pure bull shit Just Words She is one hell of a woman She only calls me on payday She is a harpy In Harpic One flutter of her eyelashes Can cause a tornado on the other side of the world She is a siren Blaring in my ear She gives me the best evils that I have ever seen She gets me in hot water Then hauls me over the coals She glares daggers at me Then throws knives at me She bleeds me astray She has snake hips on the dance floor She is not allergic to caviar or champagne She likes to piss on my bonfires (literally) She likes to grill me about everything that I do and say Over a low flame Slowly Provisional Poetic Licence I have passed the theory But not the practical I tend to look in the rear view mirror too much I am not good at reading the signs and signals The fast lane is sometimes too fast for me I have blindspots in my windscreen as well I am not good at indicating Giving way or racing Music distracts my concentration I wear a seatbelt I seem to drive better on my own Eyes Her eyes are one big question In them I think I can see my future family tree Her eyes flash like a lighthouse That drags me towards the rocks She is my pupil dilator She makes me want to die later I am neurotransmitten Pubzzz In the Wheatsheaf I can (pick my nose) Burp Fart and spit In a snoozers boozer I can only talk Drink and sit Valentine Roses are red Violets are blue Daffodils are yellow And chrysanthemums are difficult to spell Home (written aged 13 years) They handed me a bag I unzipped it I black suit 2 white shirts 2 white vests 2 pairs of underpants 2 pairs of socks 1 tube of toothpaste 1 toothbrush 1 five pound note One train ticket All in a black plastic holdall I sighed The records officer called me "Sign this form Sir" That sheet Fourty years in the slammer What a contrast I drew my 1950 Parker pen From my top left hand jacket pocket The scratchy nib failing to make an impression on the sheet I hesitantly asked "Erm can I borrow a pen?" The officer yawned and threw me a biro I signed my liberation The warder drew a large Bunch of keys from his pocket He strolled up to the main door The key slid into the slot As the warder heaved open the giant door The joints groaned under the strain "Well then Sir. Let's not be seeing you again!" I walked out I was free The door slammed behind me My bag at my feet I looked around My, how the world had changed Half of my life wasted By some man's lie The sun shone through the electric fence I could see the shadow of the barbed wire On the concrete road before me What did I have to back to? Nothing My parents died 20 years ago A cool wind blew on my face I turned up my collar And sunk my hands deep into my pockets I picked up my bag from my feet I felt like rifling a telephone box So I could go home Pinned I am pinned to this place I am pinned to this face I am pinned to this race I am pinned to disgrace I have sinned I am pinned I am pinned to your door While I am pinned to the floor I am pinned by my fame I am pinned to my name I am pinned to my flaws I've been pinned here by the laws I am pinned by my pain I am pinned to the game My eyes are pinning The world is not spinning For me Radude I'm in extreme sports gear To go down the pub In combat trousers To play Nintendo I'm wearing running shoes To walk down the road And in cyber undies To do the washing up Statement I do not write urban hymns But provincial poems Statement 2 I am glad that I do not write war poems Whether commissioned by The Guardian Or not Many war poets Are real Poets on the underground Simple Pleasures Are Free? Does he regularly eat chocolate? Get to watch the silver screen? Does he regularly eat chocolate? Show his face on the club scene? Has he checked out the Tate Modern? With the same passion he checks Tesco's waste? London for all your leisure You may repent at haste. Does he like to browse in Waterstone's? Check out the latest (chocolate) bar? Does he regularly eat food? He has no home, job or car. Apart There is a man Up in the sky Head in the clouds In that crane He has friends at work But he don't know Their surnames
Cynthia Buell Thomas
Mon 23rd May 2011 16:15
Posting like this will not endear you to readers, C Byrne, which is too bad because much of this work is quite interesting. Perhaps you meant to put this collection in the Samples part of your Profile, and you just got mixed up. They would be excellent there. Readers often go to that section to follow up a writer if a poem or two has really interested them. In this arena it is 'socially' understood that only one poem goes in at a time, especially if you would enjoy some feedback. You can catch me on my Profile if you have any questions, or annoyances.