Apolide ~ (For Gregg)
On Carmel beach he saunters
where turquoise meets the border,
His arms outstretched
His upturned palms
Seek signals of a different order,
Eyes the milky horizon line
For signs of calmer water.
His sullen self numb
to the laughter of companions,
neither one thing, the other or either,
Frei nor Frum, Jew nor 'Goy,'
Mount Hermon broods over Babylon.
Why does he hanker away hours?
What does his heart desire?
As brittle as dried flowers.
He's out of sorts with the desalinated state,
Where love finds it's expression
As jealousy and hate, and the fine wine
Of the purple line leaves a bitter after-taste.
Assassins dispatch, contradictions confound,
tired aspirations rake the frontiers flat.
What's the itch he can't scratch?
Golan Magic propaganda grates,
And the Jesus Trail – for Christ's sake!
From Haifa to Nice, Nice to Montone,
Where his voice wormed it's way through
One dark winter night stateless and lonely,
Somehow he knew this was home.
Mornings of defeat, the triumphs of the evening,
The ebb and flow of feeling set the tone,
Welling up of passion, advancing, retreating,
this lying down mute and alone.
Forging our agreements, fuelling our dispute,
exposing the raw rootless discontent -
A wound so sore it bleeds,
'Too much', he says, 'don't touch, don't touch,
I need you'.
In Haifa now he rediscovers
His life in the eye of the tempest,
He has his lover and the love of his friends,
Boundaries, edges, crises and endings. All this -
Why swap high-security for uncertainty and risk?
He calls from his confinement
Intimate and cold, waves over verges
and marches, across unbridgeable distances
In space and time – a thousand miles
and two decades if truth be told,
But we are connected, fingers through fences,
at the perimeter of his heart,
where sentries forbid entry
to his soul.
On Carmel beach he wonders
What would happen if next,
He abandoned himself to the moment
Relinquished his grip on the rest,
Let limits slip and barriers lift,
He types out a text
He holds up his phone in his palm,
But the signals adrift.
It's no cause for alarm.
My message is already clear,
For now and whatever, for love and for honour,
“My heart is a harbour
You can shelter here”
Harry O'Neill
Tue 16th Jul 2013 00:28
Jonnie,
From the geographic and religious `clues` I take this to be about a friend (Jewish) who unsure of his rightful native land.
I was a soldier in Egypt in 1948 (when all the army equipment from the newly declared Israel was being shipped back there) and visited Jerusalem recently.
My mother used to always say that the world would end `when the Jews go back to Jerusalem`and (given the powder-keg - situation in the region) I often wonder if she will be proved right)
Although the `clues` are there, I think that the poem would be more effective if what I take to be the poets sympathetic understanding of his friends situation to be made a bit more explicit.
Thought provoking.