In Père Lachaise Cemetery
It takes time and focus to make your way
around this star-studded necropolis.
Without a convenient plan or a guide
– pedantic, wry, and always affable –
you'll wander in vain its endless pathways.
Unable to spot the names you’ve heard of,
you will feel deceived and none the wiser.
Lured by bones, or the dubious remains
of two mythic lovers, what do we seek
before a monument built long after
their passion was spent? For who now recalls
the scholar and the edifice he built;
or the bright girl who honed his thought
but had to share in his calamities?
All they’ve bequeathed is names and a story
when others have left us paintings and plays,
recordings, scores, verses, novels, or framed
laws that others live by. So when, at least,
minds can reach us, why do we feel the need
each year – couples, hand in hand, family groups,
coachloads – to peer through growth for chiselled stones.
Randomness is all it spells – that slow creep
of graves – and, on days your thoughts are sombre,
a few trite lessons: how even in death
the rich still lord it in their mausoleums,
each generation housed imposingly
along prestigious avenues with space
booked for those who, each day, increase their hoard.
No eloquent poet, no dead master,
appears here between the trees to greet you
and lead you around in ordered circles
where penalties always mirror the crime.
The sins of some here are known, indulged now
by a different age with different values –
whose adulation sees beyond their flaws.
Whatever they drank, smoked, or may have pumped
into their world-weary veins, it matters
little now to the fans who love their work,
however they cheated or got their kicks.
Though sectioned off for his own protection,
The Lizard King lies in state, accepting
tributes: the chewing gum stuck to his tree.
The Sparrow’s voice still resonates beyond
each tragic circumstance, her bourgeois slab
supplied by one who, those years she suffered,
had no gift that healed her. Abandoning
his wit, the martyred poet and author
of a play called Salomé lies at last
with his love and lipsticked flocks of kisses.
Ged the Poet
Thu 25th Sep 2014 19:21
David.
I hope that I have not offended you in my comments relating to Jim Morrison and the Doors. I know of the cemetery and it's many famous people who are interned there and your love of music. I meant what I said. I found this piece most elequent and superb.