Southport line III – 1969 (Blackberry Way, A Clockwork Orange, peril and the driver’s face)
i hadn’t yet read A Clockwork Orange in ‘69
but i was 15 and the same age as Alex
and my ‘Blackberry Way’
was about to become
Alex’s 5th and 9th
i hadn’t yet been introduced to Alex’s classics
but i’d become obsessed with Beat Music
and in early nineteen-sixty-nine
The Move’s Blackberry Way
topped the UK charts
i hadn’t any of Alex’s psychopathic penchants
but shared peculiarities and musical fixation
and those countless rules set by
society’s bullying bulls
proved personal red rags
i hadn’t listened to my parents' welfare counsel
but i acknowledged their over-concerns
and often felt dreadfully guilty
as i pushed the boundaries
of conformist paradigms
i hadn’t much considered 4 buses to school and back
but preferred to walk and pocket precious fare
and the conventional daily hike
was frequently short-circuited
via precarious trespass
i hadn’t mused on buses that critical day despite bitter wind
but walked as close as the crows fly back home
and ‘that would be the day’
i would ultimately reflect on
disregard for authority
i hadn’t a concern for encroaching onto factory property
but railways tendered reasonable menace
and though a vigilant approach
was constantly adopted
music proved distraction
i hadn’t considered that Blackberry Way could harm me
but it detrimentally and cruelly metamorphosed
and in tandem with Alex
Beat and Beethoven
brutally scarred us
i hadn’t learned all of the lyrics of Blackberry Way
but sang what i knew with head down to the wind
and found a tempo on the tracks
with rhythmic steps on sleepers
ignorant of my environment
I hadn’t heard the silent assassin diesel train that day
but stuttering Ste would become my saviour
and totally out of character
he found his voice
to amplify peril
i hadn’t seen Ste Summers leap from the rail tracks
but I clearly heard his warning cry in the wind
and on that bitter winter afternoon
i glanced to witness terror
on his pale white face
i hadn’t seen the yellow iron menace a few feet in front of me
but i instinctively glanced forward to face the train
and the train driver’s face
mirrored my horror
as i froze briefly
i hadn’t thought death might be so swift and sudden
but i mechanically leapt in desperation
and i felt the train’s violent wind
brush my trailing left foot
like a brush with death
i hadn’t thought life or death could be so unassuming
but thanked Ste for his unexpected relief of stutter
and thanked other spirits that loitered that day
to decide on my destiny
and ensuing outcome
i hadn’t anticipated disturbed sleep and tormenting dreams
but more worryingly the night-terrors had returned
and refused to board the night train
for the following six weeks
presenting restless nights
i hadn’t envisaged the long term effect of that split second
but the Blackberry Way day hit me like the train
and i’ve never since been able
to cross a level-crossing
with eyes open
i hadn’t believed night-terrors would ever jump aboard again
but this time round they loitered menacingly
and held up the image
of the driver’s face
night after night
i hadn’t yet read A Clockwork Orange in ‘69
but i was 15 and the same age as Alex
and my ‘Blackberry Way’
had now become
Alex’s 5th and 9th
i hadn’t yet considered that Alex was my phantom brother
but despite opposing poles musical magnetism tied us
and his heartbreaking loss of ‘Lovely Ludwig’
eerily contrasted with the ‘Blackberry’
that indelibly scarred me
i hadn’t that day been able to reflect on the impact of that diesel
but slowly i realised that had the train been familiar steam
and the inability to see the driver’s face
the trauma of that near-death day
wouldn’t have been so bad!