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A lamentation upon the fall of Constantinople 29th May 1453

 

None of us will survive,

But we must try again,

To seed some fallow earth with the mysteries of the Byzantines

Even, with their mirth, amidst the agony of birth, and death,

The accidental revelations,

Of our passing on the wing,

A voice that will always sing

Of the fall of Constantinople:

Of the mysteries of birth and death,

And of all the unalloyed impermanence

Of every passing note containing

The holy trinity of faith, hope and charity.

Love that sustains us against the screaming pain of desecrated Aleppo.

Aleppo the beautiful, with churches known to all.

Aleppo where Othello’s murder of a malignant, turbaned Turk

Foreshadowed the unholy trinity of Sunni, Alawite and Shia.

A veil of hurt in a land of tears, the self-slaying murders
Such as that of gentle Desdemona.

Thus this infidel horror-show that ripped up a thousand years

Of the Greek Byzantines — the Christian Eastern Romans —

Continues to appal, this terrible blasphemy,

That has been present since the 29th of May 1453

Made manifest again in New York and Washington.

We need another rending of the veil,

Holy war writ in blood down bankers’ walls,

Found again in music, the profoundest of the arts,

Which takes our emotions down to explore the depths

Of mans’ abominations, miseries and regrets

Then lifts us up to heaven with the skylark.

Music takes each note apart

Then fuses them together

In the delicious harmonies of art

Note succeeding note,

Showing us the whole

Then tearing us apart.

🌷(2)

◄ Because the Night....

Meg ►

Comments

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John Marks

Wed 3rd Oct 2018 23:57

Hi Sal. I think that's because the past is epic in all its miseries joys. Sometimes, I feel the past - even the very distant past - closely and intimately. Common humanity is not bound by time: empathising with the people of the past is no more difficult (easier in some ways) than empathising with the people of the present. As to vocabulary, dear Sal, I think you might be practising the ancient English art of self-deprecation! Thanks, as ever, for noticing my work, few do. Occasionally, I think of switching to prose but I just drift back to poetry, it is my natural medium. All good wishes, John

Big Sal

Wed 3rd Oct 2018 19:32

Fastidious formula to making historical poetry interesting in every line without resorting too far onto the academic side that no one could relate or feel the depth of emotion. You do well writing historical poetry John, it always comes out epic.?

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