Inner City Blues
The old pub on the corner lost beneath a motorway junction; stands
in a similitude of snow now. Its windows are gone the way
Of the church spire from whence the müezzin calls a different faithful to prayer
The bronze statue of an eminent Victorian child abuser
Glowers over what was once his property, his factory, his people
There is wet snow in the air.
My nose smells the cold which crawls inside my coat like seeping water;
My shoes are beginning to let in so I try to hurry for the bus shelter
Where an old lady sits neatly, handbag clutched, terrified
Of this new world order
She smiles shyly in my direction then quickly lowers her head
She probably wishes I was a woman, or dead
Some teenagers on the opposite side of Regent Road roar and rap
Fall against plate glass windows protected by noisy metal shutters
On scraps of common land kids from the flats kick a football repeatedly.
Silent JCBs squat like dinosaurs inside their metal cages, their grunting and tearing of the earth finished for the day
Tons of mush and rubbish is piled up agaist the walls of derelict buildings
Shielding the entrance to underworld garages for the rich.
Parking spaces blossom outside the 24/7 booze stores.
A girdle of neon outside these bastions of the money economy
There are no political posters sprouting from no crumbling walls
Some large plastic poppies remain scattered randomly on waste land
But the people who once lived here are long dead.
There are no monuments to those
Who turned the wheels of Cottonopolis for so-many years
Even their graveyards are blighted
Here we have public squalor and private despair squatting down together for the night
There's no going back. The S's and the K's are at each others' throats again
Drugs, prostitution, extortion, you name it
Nobody notices the dreary weather - they are not here for that
They worship in the temple of the BMWs
Which nose forward like suspicious dogs;
Sniffing out what's really always there:
A ferociously focused lack of gentility.
John Marks
Fri 16th Nov 2018 16:25
Thanks a lot Jacob and Jon and Keith for supporting this poem. It was not an easy poem to write and I didnt expect it to be popular. Is it a coincidence that we four are men? Generally, people don't like writing that deals with modern Britain (or the US in Jacob's case) with any degree of grit. Betjeman's sentimental depiction of metroland is the rawest most people can take - and that is about 1950s suburbia. Many people prefer Christmas card verses. John