The Hour of the Critic
I sit here convoluted; a heart with thoughts,
laddered, essential for a cause,
an impulse protector, and a radio knob
for outside contortions.
Intentions, the aches as habitual as breathing,
are safe as a puckering bud but, tasting
the back of my lips I find
a syndicate of vines,
thorning the future for fuck ups.
I fall over a root, sampling time,
cutting up my knees for art –
the grandiose, the profane,
each questioned limb retracts
in the refined weather of you,
and settling in between is a permanence,
a suspended child willing the will of work away.
It makes me stamp my feet –
I do not know how to stifle the human –
and reach for the stream of heaven
to burp in my veins,
diluted, like a victim of thought
un-thought,
forgetting that I sometimes reign the brave.
Ray Miller
Thu 27th May 2010 10:16
I used "unthought" in the last poem I posted, without being certain it's a proper word. So I'll assume it is now.I love your inventive way with language, without always grasping what you're on about, though that's not the be-all. Funnily enough, I thought the best line was the simple "It makes me want to stamp my feet".