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Robert Frost tops the list on BBC's Poetry Please request show

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Robert Frost tops the 10 most broadcast poems on BBC radio’s poetry request show, Poetry Please, with Elizabeth Barrett Browning and Edward Thomas close behind. The revelation comes in advance of publication of an anthology  that includes those most popular poems on the BBC show. Frost’s ‘Stopping By Woods on a Snowy Evening’ is number one. Others on the list include ‘Adlestrop’ by Edward Thomas, ‘Fern Hill’ (Dylan Thomas), Thomas Hardy’s ‘The Darkling Thrush’, and Matthew Arnold’s ‘Dover Beach’, which is apparently also a favourite of education secretary Michael Gove

BBC Radio 4's Poetry Please, currently hosted by Roger McGough, was first aired in 1979, and broadcasts to two million listeners a week. Writing in the Guardian,  the show’s producer, Tim Dee, paid tribute to the enduring popularity of the poems in the top 10, and added: “Spare me the angry performance poet who thinks their shouty rhymes are fluttering poetry's dovecote and are relevant in a way Donne cannot be.”

Here is the top 10: Stopping by Woods on a Snowy Evening, Robert Frost; 'How do I love thee? Let me count the ways', Elizabeth Barrett Browning; Adlestrop, Edward Thomas; Fern Hil, Dylan Thomas; The Darkling Thrush, Thomas Hardy; Dover Beach, Matthew Arnold; 'Let me not to the marriage of true minds', William Shakespeare; The Listeners, Walter De La Mare; Remember, Christina Rossetti; To His Coy Mistress, Andrew Marvell.

Poetry Please is published by Faber and Faber on 3 October, National Poetry Day.

 

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M.C. Newberry

Tue 1st Oct 2013 00:43

Among my collection of vinyl LPs, I have a boxed set called "Poetry For Pleasure" (Concert
Hall Record Club) which contains an incomparable version of "Dover Beach" read by
Stephen Murray - and "Adlestrop" read by Dame
Flora Robson. Other front rank readers include Michael Redgrave, Marius Goring, Jill
Balcon and John Neville.
Anyone knowing the quality they represent will
know how well they do their job with material that ranges from Thomas Wyatt to W.B.Yeats. Wonderful stuff from nearly fifty years ago that is as fresh and fine today as it ever was. Only Richard Burton is anywhere near when
it comes to reading great poetry.
Finally - I have emailed Tim Dee about the poems
featured and the programme in general. I was
minded to include the question:
Where will future requests for today's poetry come
from if poets are omitted by fashion and passing
fad that leaves little that is truly MEMORABLE?

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Dominic James

Sun 29th Sep 2013 16:50

I am impressed by the line-up, and pleased to see Robert Frost coming home in pole position with that natural voice. There are good recordings available of him, by the way, reading After Apple-picking, Mending Wall and other pieces... Thinking how one telling phrase in a poem can stick with us tightly as a melody, I think of Frost's persuasive delivery, and then I can't quite imagine Kipling doing so well with: "She knifed me one night, when I wished her white, but I learnt about women from her." But I digress.

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Greg Freeman

Sat 28th Sep 2013 16:59

We may have our differences outside poetry, MC, and maybe within it, too, but I was warmed by your words about Edward Thomas. I admire Frost too, and his encouragement and friendship helped Thomas find his poetic voice. Hardy, another great. Thanks for spotting my typo, too. I will amend.

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M.C. Newberry

Sat 28th Sep 2013 16:30

Shouldn't "Tim Gee" (see above) be "Tim Dee"?!
Fascinating - and truly relevant - how many of these favourite poems connect to timeless human
traits and shared sensibilities. I know all
bar one of the above (the Dylan Thomas poem),
and "Adlestrop" was committed to memory long ago.
Just reciting its words to myself conjures
up that landscape, with the imagined hiss of
the waiting steam locomotive and the clouds
high over the rural vista beyond. I am THERE
- with Edward Thomas - gazing out of an
Edwardian carriage at an England unaffected
by the results of the nightmare war to come.

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