Donations are essential to keep Write Out Loud going    

'It's much bigger than the personal.' Jamaican-born poet talks of his mixed emotions on winning the Forward prize

entry picture

The new Forward prize winner, Kei Miller, has spoken of the “strangely emotional” moment when he heard the news. In the afterglow of his Forward triumph on Tuesday night, the Jamaican-born poet told BBC Radio 4’s Front Row programme on Wednesday: “It meant something much bigger than the personal … it was the first time a writer of colour had ever won a prize like that. Too many conflicting things happened in my mind … why was I the first … there were so many people who should have been considered before.”

He added that he felt “the weight of that”, and that a lot of people had called him up that night, all saying how much it meant to them: “That’s very emotional.” 

In the interview he was asked about remarks he had previously made, that he had been ashamed at winning poetry slams. He replied: “It’s not an identity that I necessarily claim,” adding that he didn’t “set out to be a slam poet”.

He went on: “That’s something about race …  I could be in a certain kind of venue, and they would introduce me as Kei, the performance poet … and then you hear that I have a collection with Carcanet, and the reaction changes.”

Miller said that he was referring to a perception that “white poets read or give recitals, but black poets are performance poets … and, yes, I’m glad you think I read well, I’m glad you think my voice is melodic, but if that becomes a reason to dismiss it as not worthy, or as something that is just light entertainment, that is beautiful to listen to, but not something that’s being carefully written … I’m very particular about how I claim my place on the page.”   

 

◄ Poetry Library launches e-loans in bid to boost digital take-up

Meet some new Foyle Young Poets of the Year, named on National Poetry Day ►

Please consider supporting us

Donations from our supporters are essential to keep Write Out Loud going

Comments

Profile image

M.C. Newberry

Fri 3rd Oct 2014 14:15

Perhaps GS has a point about the way in which
these writers enjoy their place in the sun at
the expense of others closer to home. Is
the UK really so short of writing talent and
what is has to say that prizes go elsewhere?
Is there a trend putting some ahead of others
in this area of poetry...much the same as the
preference for prose over verse in much of what
can be found in the poetry press nowadays?
I have no particular axe to grind as I would not bother entering modern competitions, held
and judged by those whose priorities seem far
removed from my own, preferring to "self-publish" or use excellent outlets like WOL and just get on with life.

Profile image

Greg Freeman

Thu 2nd Oct 2014 22:53

The point, which may not have come across in my precis of the original Guardian story, was that Kei Miller went in for slams to help pay for his creative writing studies at Manchester Metropolitan University. He did not regard himself as a performance poet at all, but the slam wins helped to pay the rent. He has published four collections with Manchester-based Carcanet, one of the leading poetry publishers, so that definitely makes him a page poet - and he certainly sees himself that way. I saw him read at the Southbank this afternoon, on a bill that included Daljit Nagra and the Caribbean-born poet, Jean 'Binta' Breeze. It was a marvellous, rich, invigorating set of readings, of which more tomorrow.

Profile image

Graham Sherwood

Thu 2nd Oct 2014 22:19

This is an interesting debate that I have to confess puzzled me when I first read Greg's post about this winner of the Forward Prize. Prior to this I had no knowledge of the recipient but from the information given was somewhat surprised that a "champion' slam poet had been awarded a page poetry prize. Uppermost in my confusion was how well slam poems transfer to the page. Of course the winner may have written the collection specifically for the page.
When reading more widely around a variety of poetry sites I do find that there is a vogue for 'foreign ' work to be celebrated above more home grown talent. Frankly I think it is in fashion. Finally I didn't understand much of what Paxman had to say.

Profile image

M.C. Newberry

Thu 2nd Oct 2014 21:07

The recipient mentioned race.
The point I was making is that art transcends
"race". I suspect that when race is mentioned
in art's context there is an agenda for its use.
The fact that black singers were such great
interpreters of material from ethnic sources
beyond their own seemed to enforce my belief
that it is not really necessary to bring it
to attention when communicating what you have
say (in song OR poetry) - unless the subject matter is narrowly and intentionally specific,
when it can be judged on its merits - or otherwise.
Cheers.

Profile image

Greg Freeman

Thu 2nd Oct 2014 19:24

Thank you for taking the trouble to comment on this, MC. But with all due respect, I cannot for the life of me see the connection between black Americans singing songs from the shows and the latest winner of the Forward prize, Kei Miller, who respectfully asks to be taken seriously as a page poet. Whether performance poets should be, or are, taken less seriously than page poets is of course another argument entirely.

Profile image

M.C. Newberry

Thu 2nd Oct 2014 14:00

Good luck and well done to this winner.
The dichotomy that the word "race" evokes seems
apparent here.
I am interested in words that touch me - that
communicate a common feeling or experience -
that MEAN something to my humanity, and that invariably transcends racial issues.
There is a readiness to cite race as a reason for lack of success whilst at the same time pushing it as a mark of pride and identity
when it suits, either in material or its presentation.
I think of black singers - especially in the
USA- who sang marvellous songs written by a writers of Jewish and Italian origin. Their
interpretations did not dwell on the origins but on the common experiences set out in words that all humanity understands.
"Black" poets today might care to remember that.

If you wish to post a comment you must login.

This site uses cookies. By continuing to browse, you are agreeing to our use of cookies.

Find out more Hide this message