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MORSE CODE

All night long on short wave radio

the operator's hand tapped morse code

like a woodpecker's beak

oblique, sustained with poise and nerve

 

call sign first then a launch

of identity into chaos

threading out skeining across

the curve of the earth.

 

Persistent, insistent

and after coffees brewed

the curling unattended cigarette grounded,

a sign of recognition at last,

 

back from the dark ages

like the touch of a spider's web

signals like atoms in an atmosphere

morse code bleating,

 

bouncing balls on waves of sound.

 

    dotdot

    dotdashdotdot

    dashdashdash

    dotdotdotdash

    dot

    dashdotdashdot

    dashdashdash

    dotdotdash.

 

The woodpecker hand restrained

for the stream to ride into view

he turned and smiled,

looked much younger, relieved

the message decoded:

 

"I LOVE YOU."

🌷(2)

◄ PHOTOGRAPH

WATERWISH ►

Comments

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raypool

Sun 9th Oct 2016 18:37

Thanks Colin for commenting. The problem with a tale like this is it can raise (or lower) expectations of an outcome. Bouncing balls could be the Dambusters, but just an image in fact. I have altered that line ; I wasn't quite happy with it either. Nice to have you in Blighty again!

Thanks David for your thoughts. Yes, the message theme was intended as you mentioned. I think my ending to this was just a sudden inspiration , but I think the attraction for the radio ham was always the undiscovered , and also the community aspect though invisible. I very much take your points and agree totally.
A perceptive take as always.

<Deleted User> (13762)

Sun 9th Oct 2016 07:28

Like this lots Ray - especially 'like a woodpecker's beak, oblique'

I got the feeling the operator was a woman in WW2 and her lover was returning home from a bombing raid - chaos / skeining / atoms / bouncing balls - but then we find it's a 'he' at the end.

The woodpecker reference start and finish is a good thing. If I had a very small gripe it would be the second repetition of 'short wave radio'.

Excellent poem. Thanks. Colin.

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