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'Mature Student' by JF Keane is Write Out Loud's Poem of the Week

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The new Write Out Loud Poem of the Week is ‘Mature Student’, by JF Keane. John Keane, who organises Write Out Loud Stockport, is an admirer of WB Yeats, and describes ‘Mature Student’ as a “loose parody” of Yeats’ ‘Sailing to Byzantium’. His poem opens with the lines, “This is no place for old farts.” He likes to subvert and reinvigorate traditional poetic forms, he told Write Out Loud in our brief Q&A: "Systems of self-expression that have endured for centuries are worth preserving, almost by definition."

 

How long has poetry been an important part of your life and can you remember why it become so?

Poetry has had a tremendous impact on my autonomic nervous system for almost as long as I can remember. I read Tolkien’s ‘Errantry’ in a children’s anthology when I was about seven and recall being fascinated by its trisyllabic assonances and complex internal rhymes. Above all, I wanted to understand how he had achieved such powerful effects. From that time on, poetry has been a major part of my life.

 

What kind of poetry do you write?  What motivates you?

I like to subvert traditional forms like the sonnet or Spenserian stanza with modern words, concepts and sentiments. For example, ‘Mature Student’ is a loose parody of Yeats’ ‘Sailing to Byzantium’. I have also written an epic poem about football hooligans entitled ‘The Chaviad’ and a Petrarchan sonnet about Darwinism, amongst others. The aim is to amuse the reader while reinvigorating traditional poetic forms. Systems of self-expression that have endured for centuries are worth preserving, almost by definition.

 

If you could only have one poet's work to read, which one would you choose?

WB Yeats, for his polished style, technical versatility and conservative values. Also, his success as a Nobel prize winner sets all standards for poetic achievement.

 

Do you perform your work?

I read at Write Out Loud events but to be a good spoken word poet one really has to know the poems by heart. Unfortunately, mine tend to be too long and complex to remember – but I’m working on it.

 

You are cast away on a desert island.  What is your luxury?

It would have to be a Philip Larkin anthology. His gloomy realism would keep me sane. Sorry, saner.

 

 

MATURE STUDENT

by JF Keane

 

This is no place for old farts. The rowdy lifts,

The noisy red canteens with food that should be free -

The wide-eyed girls with cool kinetic limbs

And youths with scraggy beards - none foresee

With innocent gazes still unmarked by time

How quickly failed ambitions come to be.

Caught in the amber of youth, all neglect

The minds where distant decades intersect.

 

A middle-aged man is usually a sad bastard -

Unless, of course, he can raise his social value

To overcome his overflow of years. That is hard,

Given widespread ageism. What best to do?

Be honest! After all, he holds the killer card

And knows what is and what cannot, be true.

He is not distracted by the curve of lissom arses

Nor fine hair binding skulls delicate as vases.

 

Oh schizoid intellectuals with sketchy sex lives,

Dwelling forever on your loveless death –

Or at best cursing disenchanted wives

In quiet rooms with baited, bitter breath –

Give me the abstractions, concepts and beliefs

To draw my thinking from its tarnished sheath.

So moist etceteras, young eyes and blue-veined skin

Do not distract me from the thoughts I wonder in.

 

Quite purged of carnal whims beyond my span,

I will not harbour lusts I cannot slake

But fight the noble fight, keep to the plan,

Avoiding lissom flesh by shunning break

And reading every text-book that I can,

My cold ambition keeping me awake;

And emerge from all these trials with such a pass

I am beyond dispute the truly middle class.

 

 

 

◄ Measures of Expatriation: Vahni Capildeo, Carcanet

'The witnesses are not to be found, the steps lead nowhere' ►

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Comments

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Linda Cosgriff

Mon 24th Oct 2016 13:40

Well done, John; and well deserved!

I love this poem - your unique voice comes across so strongly.

I like your use of rhyming couplets to end each stanza; and this one in particular:

He is not distracted by the curve of lissom arses
Nor fine hair binding skulls delicate as vases.

Wonderful image; and the juxtaposition of the lovely and the ugly works brilliantly.

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dorinda macdowell

Fri 21st Oct 2016 17:02

John, what can I say? Well done, well deserved, and we at Stockport WOL are blessed with you/proud of you - Dorinda

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Julian (Admin)

Wed 19th Oct 2016 12:35

Magnificent, John, if unsurprising to anyone who has had the privilege to attend your Stockport sessions, thus witnessed the finesse with which you craft your own work and subtly guide and coach in the sessions there. You make a significant if unsung and understated contribution to the poetry scene. It's a pity you don't put yourself about more, poetically speaking. Very well done.
Two WOL laureates in short order? It isn't just the mighty Mersey that emerges in that town.

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Martin Elder

Tue 18th Oct 2016 21:44

I love your work anyway John, but this so definitively among your best bearing all the hallmarks of a well thought and constructed poem. Well done John richly deserved.

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John F Keane

Mon 17th Oct 2016 15:23

Sailing to Byzantium is about the voyage from youth to age, from the sensual to the abstract; and the need for a mature man to find meaning in a life of diminished physicality.

The mature student is faltering flesh in social contact with the sensual presence of youth and beauty, which are typically indifferent to him. However, he too needs to find meaning and purpose, albeit of a more prosaic kind, in his situation. And, freed by his age from sensual temptations, he can direct all his efforts to study in a way impossible for a younger man - in short, he turns his declining physicality to his academic advantage.

The humour arises from the prosaic context of his situation. While Yeats' 'ageing man' is sundered from 'that sensual music' and reaching for 'the artifice of eternity', the humble mature student is shunning female students with 'kinetic limbs' and hiding in the university library, hoping for a good degree to make him 'truly middle class'.

So yes, Yeats has been thoroughly 'Larkin'd' in the poem; the mystical Celt brought down to earth by pragmatic English cynicism. As usual.


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Harry O'Neill

Mon 17th Oct 2016 12:39


What a worthy winner!

I`m a bit wary about commenting on competition winners too much but couldn`t resist this wonderful example of (for me) Larkin kind of `sorting out` Yeats.

I particularly like the way it turns the golden `artifice` of Yeats` Byzantium into a praise of a kind of (artistically puritanical?) dedication to what Steve and Gregg have both recognized as craft.

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Greg Freeman

Mon 17th Oct 2016 11:10

I would echo Steve's praise of the craft within this poem, John. I understand it's after Yeats, but do I detect some Larkinesque sentiments here, too?

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steve pottinger

Sun 16th Oct 2016 11:03

A superb poem, John. Beautifully, beautifully crafted. Congratulations on POTW!

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