Saint James of the Field of Stars
A friend of mine recently completed the Camino pilgrimage of Saint James from Lourdes in France to Santiago de Compostela, in Galicia, Northern Spain. He did it in two section a year apart, and walked, rather than cycled, all the way. I have no idea how he got there.
Saint James of the Field of Stars
I'm a travelling cyclist
(the type with panniers,
sturdy boots, waterproofs)
and I have a thousand miles
to ride to Saint James
of the Field of Stars.
The spirit's freed, the demon's grieved,
a nascent Moon rising
over dormitory caravanserais;
'till we move on
as the finger traces the Atlas road,
and acknowledge senoras in the high towns
when they think I am a stranger,
and be humbled by their glances
and by their mountain eyes.
I'm out of place here,
but home, like the day-Moon
bedded in sun-blue
on the camino
or in Galician rain;
pump black hills, cursing,
swoop green dapple in cow-valleys,
a gift of grace and air
to fight temporary apostacies.
It seems half Europe has come this way;
they stamp my papers without smiling,
but sometimes invite me in
to their bars and vices,
to play the odds at cards
and alcohol,
without the risks of cycling.
Then pump the morning Primus,
wrap around the metal cup,
pack fifty miles in my saddle-bags,
see Saint James's journey
and hold to the scallop shell.
I met a pilgrim (a rain shadow):
no bike for her,
but cold as Moors on Winter coasts;
she knew how to cure blisters
and was bless'd,
but I sailed on and beat her
by half-a-day
to my final resting place -
an embrace at the cathedral
of Santiago de Compostela,
and my reward at the Parador which,
truthfully,
was no reward at all.
Chris Hubbard.
2002
Chris Hubbard
Wed 22nd Feb 2017 11:37
Hi Colin,
On the choice between "I am" and "I'm", I must say that I often have this sort of internal debate about the formal versus the informal in my poems. They usually resolve into questions such as what tone, style, context, and so on am I attempting to portray.
If, for example, I was writing largely in the active voice to emphasize the immediacy or clarity of a line of stanza, I would be more likely to use 'I'm'.
In a contemplative, quieter mode I may tend, all else being equal, towards 'I am'. I would be looking to construct a careful, perhaps melancholic frame of mind for my protagonist. In that case I would tend to go more for the passive voice - being softer, or more conciliatory.
Another issue, I think, is the extent to which the poet, as narrator, wishes to indicate distance of familiarity with the content and context of the agent's story.
Cheers,
Chris