Echo and Narcissus
Echo and Narcissus
after Echo and Narcissus, by Glyn Philpot (bronze with green patina)
Did either of them have a moment’s unease?
He, before the pool of social media reflected back all he wanted to see,
She, before she found herself cursed by the god of Abandon, that minor deity
of the Home Counties
who thought he had only to ask the people, give them a voice,
but leaving her with no more than an echo, brrrrexit, brrrrexit , bouncing
off the hard edges of our White Cliffs.
We all saw the ripple, grasping at her hand, the better to steady himself
on that slippery slope of state-craft, the downhill path of his first 100 days,
though she didn’t yet know that he should not be touched, nor she do the touching,
and that such a gesture would doom her to that special relationship,
for him never to offer anything that might speak of honour, of connection,
but dog her words, special, special, whenever she tries to speak her mind.
For now she knows that she is truly alone, his back turned to hers, blocking
out her sunlight, for all she holds herself ready for that tender moment,
her own hands ready to caress.
Karen Izod
22.2.17
karen izod
Sun 26th Feb 2017 07:42
the Bronze which inspired this poem, is currently on display at Pallant House Gallery in Chichester, as part of their Classicism in British Art exhibition.