In the final scene a man waits

in the reception area of a hotel,

a spectator in a moving montage

seated alone,

in a cosy juxtaposition of service and flow.

No one notices him and his watching:

      the discreet frontage of the lifts

      and their smoothly quiet ascents and descents

      to reveal the occupants

      stepping from their padded confines

      some b...

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