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A Multitude of Sins

I cannot handle dead bodies since

I had to shave a dead man’s face,

scrape off sins like blades of glass,

chalk on a board, tick, tick, tick.

His dignity, the Staff Nurse chipped -

Dignity and Choice, the holy script,

but his fingers were done with picking.

I gritted my teeth at his hollow cheeks,

as his eyes followed and his mouth spoke,

before grabbing a skinful of liquid relief,

an all day binge designed to scrub

the pallor and stink of stubble and death

from under my fingernails, off my breath.

 

Talking is easier.

Do you remember the plant

in the top-floor lounge  

that we both so heartily hated?

I never did find out its name.

For me it was merely ugly; for you

those large waxy leaves were its ears,

leaning in closer to steal secrets,

absorbing and storing smoke and speech.

 

I sit beside it now.

The old place closed down, supplanted

by Home Treatment, Star Workers

and voluntary organisations.

The staff were left to rehabilitate

unwanted items of furniture;

my wife took a shine to a table, chairs

and this antiquated listening device.

 

 

I sit beside it now and hear you praise

Around The World in Eighty Days,

tell how your father died too early,

how wicked and unworthy you are,

how little you deserve or desire to live,  

your refusal to take yes for an answer.

Like a priest inside a confessional

I ask you to itemise offences,

just so I can tick them off a list.

Schoolboy misdemeanours

of tuppenny ha’penny pettiness:

not the stuff of formal therapies.

Hardly hanging offences, I state;

you must be a saint or simply don’t

get out very much, waiting for

the responding laugh.

Waiting.

 

Now I see how the brown leather belt

we bought together, that you haggled over

with the market trader, is wrapped around

the bathroom door handle – dying in the toilet,

how very Elvis! - cuts your neck purple,

the angle of your purple shoulders, veins bulging

purple, eyes popping and pleading purple

for five or six days on a life support machine,

popping and pleading an end to purple,

waiting for consensus to gather and grow

as thick and long as your beard.

 

 

 

 

 

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Comments

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Graham Sherwood

Thu 26th Jan 2012 14:41

Hello Ray, I don't think that I've commented on your work much, at least I don't think so. This is a really powerful piece of work that has so many "highlights" if that isn't being insensitive concerning the subject matter.
I think it could have been shorter in truth. It would have distilled both your sympathy and revulsion somewhat.
You really must persevere with this type of work. It shouldn't be easy!

Very well done, Graham

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Ray Miller

Tue 24th Jan 2012 16:42

Thanks, Mike, Greg, Win.At least one other person has said it seems like several poems so there must be something in that, Greg.
I wish it were more cathartic. We had a young bloke in the Mental Health place where I worked.I got on well with him. He felt he was an evil person. I asked him what he'd done that was evil. He replied that he'd cut in front of an old man on a bike, and made a mildly disparaging remark about a friend's weight gain. That was it - and I made some remark trivialising his "offences". He hung himself a few days later.

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winston plowes

Tue 24th Jan 2012 13:30

Need a breather after this one Ray, So much to get from it as you explore. Win

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Greg Freeman

Tue 24th Jan 2012 09:53

Admirable and rich. But I felt there was almost too much here, Ray, that it could actually break down into three separate poems - the first stanza, then the next three, then the last one. I just envy your level of creativity!

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Noetic-fret!

Mon 23rd Jan 2012 23:14

Hi Ray, I like this piece not only for its content, but for its non conformity. It proves itself as a sincere piece of writing by what I would describe as honesty, and though it is a heart wrenching piece to have had to have written, I can imagine the catharsis would do no wrong to yourself or others. For me, for some reason, this poem touched a nerve in me I'm not sure whether i wish to explore, but in saying that, it goes to show just how intense and exploratory it is.

Nice work, not just nice work, but a top piece of writing. Goona go away to ponder now.

Be well

Mike

x

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Ray Miller

Mon 23rd Jan 2012 22:35

Thanks all. I feel less sure-footed doing this kind of thing as opposed to rhythm and rhyme. I end up revising it a great deal!I'd feel less confident in performing it too.But I'm a poor performer, anyway, Anthony. Brummie accent. 'Nuff said.

<Deleted User> (6315)

Mon 23rd Jan 2012 21:37


Really hooked me in this did Ray..incredibly visual work..super stuff :)

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Isobel

Mon 23rd Jan 2012 19:38

Wow. Really powerful Ray. I won't ask what it's about :) I think I prefer this to your rhyme and rythm stuff. I always prefer my own non rhyming stuff also - it's just that I find it hard to do poetically. Too often it just sounds like prose. You manage it well in this piece though.

I found the last two lines very moving. This would perform well - it is arresting - though sometimes 'performance' worth seems to unduly trivialise the subject matter.

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Anthony Emmerson

Mon 23rd Jan 2012 17:37

It's good to see someone who is prepared to put the time, effort, imagination and intelligence into the work they produce. It shows. All the clever technical tricks buried in the perfectly paced narrative - just deep enough that we glimpse them, rather than stub a toe. I'd love to hear you read it Ray - to see if the way I read it matches how you intend it to be heard.

Regards,
A.E.

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Ray Miller

Sun 22nd Jan 2012 22:47

It does matter what you think and you should tell me about the odd turn of phrase.Personally, I think I do this kind of thing less well than the rhyme and rhythm stuff but it's nice to hear someone say otherwise! Poetry should be a big tent, of course. It's so obvious as to bear no argument.

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