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Pictures

The walls of life are closing in;

her world reduced to one room

covered in pictures that sometimes

 

jog memories, but more often

questions, like: ‘Who is that man?

I don’t know him.’

                      ‘That’s Dad, Mum.’

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Comments

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Greg Freeman

Sat 15th Sep 2012 11:41

That's a good point you make about the word 'jog', Yvonne. Maybe 'spark' would be better? For a little poem, this poem is getting extensively workshopped! Quite right, too

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Yvonne Brunton

Sat 15th Sep 2012 05:50

love the economy of this. So much said by so few words.
just not comfortable with the zeugma of 'jog' with 'questions', Maybe some other verb needed instead/ as well?

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Greg Freeman

Fri 14th Sep 2012 10:41

I agree with you, Julian - and Steve - that that line may be superfluous. And the poem is about reduction, after all.

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Julian (Admin)

Fri 14th Sep 2012 10:07

It is excellent, en route to my kind of poetry where less is more, more or less. I agree with Steve that you could cut more and gain effect. For example, with 'Who is that man?', you don't need 'I don't know him'; you've already told us that. 'sometimes' is implicit in 'but more often', etc.

Enjambment is ideal for expressing the confusion of the subject.

And here we are again with those questions about written versus spoken.

I love this and would urge you to play with the words and layout a bit more. none of my business, of course!

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Harry O'Neill

Thu 13th Sep 2012 19:49



Excellent example of a strikingly effective `enough said`

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John Coopey

Thu 13th Sep 2012 15:35

Excellent Greg. Maximum power from minimum wordage.
It frightens me to think that we will swop place in time and, instead of being the author and observer, become the subject of the poem.

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Lynn Dye

Thu 13th Sep 2012 14:15

Excellent, Greg.
I love the way it says so much with so few words, which seems to add to the pathos. Love it.

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Laura Taylor

Thu 13th Sep 2012 11:58

Yeh, think you're spot on with that Is, re the performance aspect of it. Perhaps we should join some kind of creative writing 'workshop' - learn all about stuff we don't know the names of heh ;D

Dunt take away from the poem though.

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David Cooke

Thu 13th Sep 2012 09:26

I just hope I'm never in this position with my mother who has always been a larger than life character. No problem with the 'enjambment'. Line breaks, stanza breaks just give opportunities to play with rhythms and highlight certain words. I just read it with a slight hesitation after 'sometimes' - which could be effective if the poem was being 'performed'.

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Isobel

Wed 12th Sep 2012 17:38

I'm with you on the structure Laura. I've never understood people wanting that kind of disjointed enjambement. I think it's the performance poet in us, that looks for the flow we would use to perform a piece. Plenty of high profile poets seem to use it though - even CAD - it doesn't mean to say we have to like it though :)

I love the poem though Greg. So much in so few lines. If I re-order everything mentally, it's a fine poem that would transfer from page.

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Greg Freeman

Wed 12th Sep 2012 12:22

I'm no expert, but I think it's called enjambment, Laura. I'm also trying to take a leaf out of Steve Black's book, and compose shorter sentences. Meanwhile he's trying out some of Winston's tricks!

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Laura Taylor

Wed 12th Sep 2012 11:57

Brief, sad, interesting choice of structure.

I never understand that gap between verses without punctuation. Why did you do that?

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