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'London Victoria' by Travis Brow is Write Out Loud Poem of the Week

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The new Write Out Loud Poem of the Week is ‘London Victoria’ by Travis Brow, a tale of unrequited love. The poem has been praised by Write Out Loud regulars like Harry O’Neill, for its “lovely rhymed clarity”, while Ray Pool described it as “winsome (some you lose)”. Travis’s profile page reveals that he has returned to Write Out Loud after a spell away, and that he still thinks poetry is “vital, and worthless, by turns”. Here are his replies in our Q&A interview:

 

What got you into writing poetry?

I was 16 and singing in a band. The band broke up but i needed an excuse to get back on stage so i went from writng half-arsed lyrics to half-arsed poems. Plus, my dad's been writing poems since he was a kid so I suppose i've inherited something ...

 

How long have you been writing?

I'm 49 now so all told, i've been at it for 30-odd years.

 

Do you go to any open-mic nights?

I used to do/attend a lot of open mics, and I briefly ran my own night in a bar in Manchester. Now, though, I tend not to perform. I know I ought to but I prefer the writing, and once ! get in from work, especially at this time of year, I'm reluctant to go back out again.

 

Your favourite poet/poem?

I like the American poet Richard Wilbur, and there are parts of Pope's Essay on Man which I think are superb. Paradise Lost is profound and, once you get your eye in, beautifully written.

 

You are cast away on a desert island. What's your luxury?

The island itself is the luxury; I'm somewhat anti-social so to have the island to myself would be bliss. That might lose me some friends ...

 

 

LONDON VICTORIA

by Travis Brow

 

One Herne Hill day one red hot June

my one and only proper swoon

divested me of that control

which hitherto construed my soul;

I fell in love; I had no choice.

At last my ardour found its voice.

I told her straight; she took it well,

and as she did, undid the spell.

 

But, love demands that I demur

and dwell upon my love for her

who wants me only as a friend;

so I'll just let myself pretend

that one day, maybe, she might wake 

and recognise a telling ache.

I know she won’t. I know she rates

her instinct as one might the fates.

She trusts in what she feels so

I really ought to let it go.             

I will, in time, but hope contends

that sometimes lovers start as friends.

 

 

◄ Deadline nears for £2,000 Causley prize

MUMB: Cathy Crabb, Flapjack Press ►

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Comments

<Deleted User> (13762)

Thu 17th Nov 2016 20:02

Hi Travis - glad you enjoyed our bit of fun in your absence and for settling the Victoria debate - but Herne Hill is a decent name too although a quick scan of Wikipedia doesn't seem to suggest any origins for the name - I have a silly fascination with names with Hill in them for obvious reasons and considered many when looking to name my children - my favourite was Truleigh Hill which is a hill above Shoreham-by-Sea in Sussex where I grew up - I think that's rather lovely. As it turned out both my boys ended up with fairly ordinary names but hey-ho. See you around. Col.

Travis Brow

Thu 17th Nov 2016 08:27

Sorry, I've only just seen all this...Trust me, i can barely believe the POTW thing myself, I'm chuffed, naturally, and amused by the flurry of responses.

Colin, always a pleasure...

Ray, M.C, there's no link between Herne Hill and Victoria; the latter is the name of the woman i fell for, and it was around Herne Hill that i fell...

Graham, Harry; thank you (all) very much.

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M.C. Newberry

Mon 14th Nov 2016 17:20

Refreshing to find a pleasing rhyming poem in this WOL slot.
I think there's an inner response that recalls the
suburban appeal captured in Betjeman's poetry.
I like the theme of unrequited love on the railway - surely
the "connection" between Victoria and Herne Hill.

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Harry O'Neill

Mon 14th Nov 2016 12:16

I like the way the lads are having fun with this (It`s your own fault Travis for staying quiet) ?

Appreciating it again; I was struck by that line:

`She trusts in what she feels so`

which introduces those `aching` last three lines.

It seems that the lack of a `beat`slows the line down a bit compared with the rest, but if you imagine the piece being
performed -and that`s how we should read it - that slow down (introducing Graham`s `ache` of the last despairing three lines) is absolutely perfect.

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Graham Sherwood

Mon 14th Nov 2016 07:45

Sadly TB I fear I disagree with the tenet of this.
There are some sweet words here but I think the one that will be left after all others will be unrequited!

The three lines ending in telling ache easily the best!

Well done on POTM

<Deleted User> (13762)

Sun 13th Nov 2016 19:57

silly smiles all round Ray - nothing wrong with a bit of overthunking - at least the ol' grey matter is still functioning - or not depending on which way you look at it!

I hope Travis is seeing the funny side to all our witterings.

Friend Colin

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raypool

Sun 13th Nov 2016 19:43

Thanks Colin - oh dear I've shot my bolt now. How subtle are the convolutions of the poetic mind - or are we just hoisted on our own petards ?! I'm just coming out of that cold so going a bit doolally anyway.

Friend Ray

<Deleted User> (13762)

Sun 13th Nov 2016 17:19

hello Friend Ray - I don't think you should read too much into my spoof review, it was just a bit of after breakfast fun this morning sparked off by the fact that Travis had not supplied any answers to the regular POTW questions - the fact that he's only just returned - his pen name - and the 'vital and worthless by turns' quote all just set my mind a-rolling.

if anything it was that quote that set me off as I'd previously plucked it out when commenting on the original post - but honestly, nothing malicious or underhand intended.

as for Herne Hill to Victoria I have no idea - you'll have to wait for Travis to answer that one.

Friend, Colin

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raypool

Sun 13th Nov 2016 16:44

Colin, I think your elegy expressed here is cleverly multi - layered; am I right? You peel back the apparent covetousness of the esteemed nature of POTW to reveal an apparent ordinariness perfectly captured by the image of the M60 conurbation and the idea of liasons in that atmosphere seems almost obscene ! Not that Herne Hill can lay much claim to romance but at least its dahn sarf.
Of course we all know that rubber stamping poetry does serve its purpose in furthering and legitimizing perceived talent. I often wonder if one took any famous poem and penned it in a world of historic amnesia whether it would be awarded any real merit. We really get carried away by a river and end up swimming in the ocean. By the way what does Herne Hill have to do with Victoria?

Friend, Ray

<Deleted User> (13762)

Sun 13th Nov 2016 08:26

Coming swiftly after a shock return to Write Out Loud Travis Brow has bagged the coveted Poem of the Week award within days and promptly declared poetry worthless.

As the stunned community of amateur and professional poets looked on speechless he offered hope by stating that it is also vital, much to their collective relief.

Offering no further comment, an air of mystery still lingers over the man behind the red typewriter. All we really know is that he's been to Herne Hill and lives up north. Sometimes going by the name of Andy, his pen name is taken from a stretch of unassuming road in Stockport just off the M60 Manchester Outer Ring Road where we can only assume many of his romantic liaisons occur.

Whether worthless or vital, and just like his one and only proper swoon, there's no doubt that Travis Brow fell in love with poetry because he had no choice.

And perhaps that sums up our mysterious urge to write down our thoughts in the dead of night or whilst sheltering from the rain in a shop doorway.

Congratulations TravisAndyBrow. ?

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