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Stephen Sexton wins £5,000 National Poetry Competition

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Stephen Sexton has won this year’s £5,000 National Poetry Competition with his poem ‘The Curfew’, the Poetry Society announced on Wednesday night. The winning poem combines reminiscence about a legendary miner grandfather with the emancipation of animals from a zoo and an unspecified industrial accident.

Stephen Sexton lives in Belfast where he is studying at the Seamus Heaney Centre for Poetry. He has had work published in many poetry magazines and anthologies. His pamphlet Oils was published by the Emma Press in 2014.

Sexton described winning as an “outrageous honour”. He added: “Perhaps the most exciting thing for me is the plain old fundamental feeling of being understood. Even if I’m not sure what is lingering behind the poem, there is pure joy in thinking that whatever is being transmitted arrived at its destination intact.”

Judge Moniza Alvi said: " ‘The Curfew’ rose to its number one position, as a completely unexpected poem, a tour de force, dreamlike in its shifts, wide-ranging and deeply felt. With magic-realist leaps, it moves fluidly between a zoo’s escaping animals and memories of a 'legendary' miner grandfather, a very unusual man, to which the poem is, in part, an unusual tribute. The language is alive, very much the poet’s own, and impressively adventurous."

Nine other winners were also named, including Caleb Parkin for his poem ‘The Desktop Metaphor’ (2nd, £2,000), TL Evans for ‘Detuned Radio’ (3rd, £1,000) and seven commended poets (£200 each): Patrick James Errington, Sam Harvey, Fran Lock, Laura Scott, Holly Singlehurst, Marc Brightside and Peter Wallis.

You can read Stephen Sexton’s winning poem here

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Comments

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David Blake

Fri 31st Mar 2017 01:01

I do like it, but it also seems to be a bit out of a 'how to write a great poem' textbook. Seems too cobbled together to be treated as a worthy winner of a national competition.

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M.C. Newberry

Thu 30th Mar 2017 18:11

The whole concept of "prize winning" poems seems alien
to me, indicating as it does, the personal choice of a limited
set of opinions (often just one!) as to its value or connectivity. But the money seems available and it shows
that "poor poets" are something of a modern myth, far
removed from the reality of a productive past that even
now finds little to match it for lasting effect.

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Stu Buck

Wed 29th Mar 2017 23:26

have to say i was all ready to dislike this as i am often dissapointed by prize winners (especially the NPC) but its a bit of a belter. the best poem of the year? possibly not, but a good egg nonetheless.

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