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Nureyev

They used to moan about him in the slips,

High up in the gods at Covent Garden.

(These were the ones who queued to buy returns.)

‘He wouldn’t do the lifts,’ was their complaint.

‘He’s no longer what he was,’ they exclaimed.

I never saw him there, just the B-team,

But watched him dance at the Coliseum

And then some years afterwards in Brussels:

Mid-Forties and no longer in his prime.

Even then, you shuddered at the power,

The haughtiness and masculine appeal.

A complicated artist, just as when

Sprinting at the airport to his freedom

Or bending to his last, diminished bow.

🌷(6)

◄ Pension

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Comments

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Stephen Gospage

Tue 22nd Feb 2022 16:59

Thanks also to Ursula and to Holden.

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Stephen Gospage

Mon 21st Feb 2022 21:44

Michelle - thank you so much for your kind comments. Yes, his final appearance at the Paris Opera, when he was terminally ill, was both moving and tragic.

MC - Yes, he changed the face of male dancing. There have been dancers who were technically superior to him, but none with his personality and sense of going right to the edge. As you say, he and Margot Fonteyn had an extraordinary relationship.

John - Thanks for your encouragement, as always. It was a personal tribute. Before I ever saw him dance, I attended performances at Covent Garden where people in the slips (the highest - and cheapest - seats at the side of the theatre) always seemed to complain about him. And, of course, as he got older, he could be ragged and cut a few corners. But the raw power and talent was still there.

And thanks to John and Brenda for liking the poem.

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John Botterill

Mon 21st Feb 2022 19:51

A great tribute, Stephen. Wonderful poem.

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M.C. Newberry

Mon 21st Feb 2022 16:00

To adapt a word known in that world of dancing, he raised the
bar! And his partnership with Fonteyn is legendary.

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Michelle Cote

Mon 21st Feb 2022 15:18

very moving... loved the last line... thank you for posting your wonderful work!

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