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Solitude Gets Lonely

 

Admission.

 

As vaunted independence toasts its self-sustaining charms

and insufficient harvests hinder isolated farms,

the narrow paths to solitude that answer most alarms

cannot approach the paucity that troubles empty arms.

 

 

Toast.

 

I could smell toast as I opened the door,

toast I had eaten hours before;

the buttered aroma reordered the room.

The ghostly, particulate breath of perfume,

unbidden and soluble memories of you

gave way to the comfort it formerly knew.

But the difference imparted a subtler tone

to the savoury silence of being alone

and solitude's offer of freedom and peace

concealed in the giving a limited lease.

 

 

The Spell.

 

I know precisely what I’m missing

watching strolling couples kissing,

balancing their measured paces

tilting into sweet embraces;

safe and certain, sage and sure

their love will deepen and endure.

Unless the mood I’m shackled in

is shorn of hope, then I begin

to think those ardent lovers fools

who think that ardour never cools,

or can’t conceive that what they share

is not so pure, and not so rare.

But ultimately envy wins

and, disegarding other sins,

I take my favoured place with those

who damn the wretched cynic’s pose;

and wishing strolling lovers well,

I wish myself bound by that spell.

 

 

 

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Comments

Travis Brow

Fri 13th Apr 2012 21:12

Hello again MC and thanks for your comments. Im struck, although i shouldn't be really, by the varied interpretations and views of the same poem expressed by different readers. You're bang on in your reading of it, in as much as it chimes precisely with the sentiment i sought to invest it with. But, as we all know, once the poem's out there it ceases to belong to the author and has to make its own way, for better or worse. Also, i fully agree with your take on the confusion between the meanings of solitary and lonely. I am by nature happily solitary but that doesn't necessarily mean i'm lonely. I sometimes am but not that frequently. Thanks again.

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M.C. Newberry

Fri 13th Apr 2012 16:22

I like the allegory of "insufficient harvests" (lack of love?) affecting "isolated farms" (lonely people?)...it works powerfully well with the brevity employed...as does the whole stanza that asks and answers its own timeless question.
N.B. It's my view that "solitary" if often mistakenly equated with "lonely" in the general way of things. One has no essential relevance to the other. The former
describes a state of being; the latter, merely its effect on some but not all in that situation.

Travis Brow

Fri 13th Apr 2012 07:28

Good morning Yvonne, thanks for your comments. I accept what you say about the incongruity of the farm image but conversely i think that works in its favour because it hopefully strikes the reader as a vivid metaphor for loneliness, from which solitude, in my experience, is only narrowly removed.

I've altered the layout after Harry suggested making it a four-liner, and I've changed several words.

Please keep commenting on the stuff I post; it really helps. Thanks again Yvonne.

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Yvonne Brunton

Thu 12th Apr 2012 23:10

You really do have an excellent feel for words, Andy. I loved 'Toast' and 'Spell'.
In 'Admission', although I can see that isolated farms would need a strong degree of independance but may yet need help when harvests fail, somehow I just couldn't link that concept in with the rest of the poem yet it's a perfectly good image.Maybe it's the concrete after the abstract. Maybe it's because there is no tie-in later in the poem ( not much room for that)Maybe it's just me. XX

Travis Brow

Thu 12th Apr 2012 19:09

Don't worry Harry, i've no intention of ceasing posting but input from others unavoidably causes one to reflect. I didn't mean to come across as overly sensitive.

I understand your 'four line' idea now. I'll take a look at it.

Thanks again Harry. There'll be a fresh post soon

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Harry O'Neill

Thu 12th Apr 2012 18:14

Andy,For pete`s sake all three poems are excellent!

You are right about TOAST not `having anyone on`.(I think I just got a bit sentimental remembering Anne`s `SON GOES` instead of reading your poem as it is written).

In THE SPELL the first line and the wry way you change your mind absolves it of any accusation of trying to be a `passionate `poem. But on its own terms it`s as good as any...On no account
remove it.

The four line thing was just me messing about.
for instance the first two lines would read (straight across)

As vaunted independence boasts of self- sustaining charms

and so on, reducing it to a four liner.

I just like rolling lines.

Keep blogging, they`re fine.

Harry.

Travis Brow

Wed 11th Apr 2012 07:13

Thank you Tom, that's a lovely comment, though believe me, the effort is well hidden - I hope.

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Tom Harding

Tue 10th Apr 2012 22:02

wonderfully effortless.

Travis Brow

Tue 10th Apr 2012 17:56

As always Harry, thanks for your comments. I've not got time to address them now but trust me, I'll get back to you. I think you've raised some interesting points. You're certainly keeping me on my toes, and for that I'm grateful. Thanks again.

Hello Harry, I'm back. Can you explain your 'four line poem' idea for Admission please? I can't figure it out.

The 'it' does indeed refer to the room but I didn't intend to 'have anyone on'. It may seem or sound a little flippant but the occasion the poem is based on is real enough and, unlike The Spell, Toast is quite heartfelt.

Now, The Spell is, as you point out, somewhat detached and though I like the poem well enough I'm not wedded to it as I am to some of my other poems. In fact, as you've raised the question of the level of passion the poem contains I'm forced to admit the conceit, whilst real enough, is just that - I served myself rather than the poem which is really a failing. So, despite, or because of, your always constructive, and kind, comments I feel compelled to remove The Spell; you compel me to raise my game and pay even closer attention to my craft. Thank you for your attention too.

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Harry O'Neill

Tue 10th Apr 2012 16:29

I enjoyed these,
In ADMISSION I particularly liked the contrasting vowel sounds of `insufficient` and `isolated` separated by the alliterated and enjambed `harvest Hinder`...
(which made me wonder how it would look as a four line poem without the enjambments...it works well)

`TOAST`
This minds me of the Yankee `wake up and smell the coffee`. (I assume that the `it` in line six refers to the room itself). The `ghostly` strange `particulate` and `breath` of line four leading to the `unbidden` and `soluble``memories` cleanses it of any romanticism. The homely `aroma` of the toast overpowers the word `perfume`. I feel that this one - like some of Larkins - is `having us on` a little (but with a bit more honesty)

THE SPELL,
This -to me - is too detached for either the `hope` or the `envy` to sound passionate (or real) enough.

BUT!
the rhythmical arrangement and the rhyming of all three poems is excellent and (unusually in a poem) all three question themselves honestly.

Really enjoyed reading them.

Travis Brow

Mon 9th Apr 2012 12:13

Thank you for your observations and comments, i appreciate the feedback.

Alan, I read some Eliot some years ago but not the Four Quartets I'll take a look now though.

Ann, the image you mention of the footsteps leading in opposite directions is a lovely idea. I'll check it out if you've posted it.

Thank you John, i do strive to make my poems seem as unforced as possible which sometimes means months spent knocking them into shape. My problem is i can never leave anything alone and always go back to poems and tweek them; obsessive i know, but for some reason it's very important to me. Thanks again, comments like yours, and others, make me happy.

Andy, thanks for commenting and please do come to a Mouthin' Off gig. The next one's on Sunday May 6th. If you ever want an open-mic slot please let me know.

<Deleted User> (10123)

Mon 9th Apr 2012 12:06

the power of the pen never ceases to amaze. don't know who said that but i do know who write this smashing rhymical sinusoidal enjoyabubble page above. for that i thank you, ta muchly, NIck.

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Andy N

Mon 9th Apr 2012 10:13

good stuff, andy.. like the fact as others have commented you pack a lot into a few short lines - good skill to have.. need to try to pop down to one of your nights soon (reminds me) when i am on a good shift.. when's the next one?

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John Coopey

Sun 8th Apr 2012 23:15

You generate a lot of power wth seemingly so litle effort, Andy. I admire the management of the rhythm perfectly suited to the tone.

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Ann Foxglove

Sun 8th Apr 2012 11:45

I enjoyed these poems too. I was particularly taken with "Toast". I like it when a small experience links you into something bigger. I wrote a poem a while ago about muissing my son who'd just been staying with me, and the image that brought the feeling into words for me was when I was walking home up a muddy footpath after seeing him off on the bus, I recognised our footprints going in the opposite direction together. Blah blah blah - sorry but it's how your poem made me remember that.

Alan Pascoe

Sat 7th Apr 2012 20:59

Andy's poem The Spell reminds me of the line from the Victorian poet, Earnest Dowson, now forgotten.

'They are not long these days of wine and roses.'

It was used for the title of Jack Lemmon's 1962 film.

Have you read T.S. Eliot's Four Quartets Andy?

Travis Brow

Sat 7th Apr 2012 18:06

Thank you all for your comments. I've long been split in two by the desire for love and the need to be alone. Being alone seems to suit me best more often than not but around every corner...who knows.

Nick, i do 'perform' my poems regularly but i've yet to read Admission. I might try it next time. I'll let you know how it's received if/when i do.

I'm inclined to concur with your final sentiment M.C., and every time i witness some altercation between supposed lovers i count myself lucky. But then at other times i do feel very wistful. Still, you can't have it all.Thanks again

<Deleted User> (6315)

Sat 7th Apr 2012 16:57

I am enjoying your word craft Andy..Very much like the thoughts behind your writes..nice work. :)

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Nick Coleman

Sat 7th Apr 2012 16:35

Enjoyed reading this and I too admired the 'verse/wordcraft'and in particular "Admision", though all works well as a whole. Another example of poetry that would sound good read aloud.

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M.C. Newberry

Sat 7th Apr 2012 15:38

The excellence of the verse/wordcraft deserves
admiration. I particularly liked "Admission"
for that reason, as well the honesty of the content. These are top examples of thought and
feeling in verse.
But...as for the prevailing sentiment...
"I see prisoners of love's spell,
But like my freedom just as well."

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