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"Michael Seen Flora"

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My mother was with her the night she died.

 

She’d sat a vigil in turn with her sisters

for several nights.

 

My grandmother had been paralysed

and bed-ridden by a stroke

of some twelve years previous.

 

She had lost control of her right side

and could not move her arm and leg.

She could not walk,

nor sit

nor move in bed unaided.

 

Her brain had been paralysed

and she could not talk

without involuntarily saying the words,

“Michael seen Flora”;

 

Michael was her grandson, my cousin.

Flora was her daughter, my mother.

 

Every utterance preceded by the words,

interrupted by the words;

for twelve years a thousand,

ten thousand times over. 

“Michael seen Flora”.

 

My mother was with her the night she died.

 

My grandmother’s bed lay by the downstairs window

giving her a view of thirty yards of the outside world

through an 8 foot by 4 foot keyhole.

 

The curtains were drawn, of course,

the night she died;

the room lit softly by a corner lamp.

 

My mother sat awake but exhausted

in an armchair,

waiting. Waiting for what?

For death; quiet, peaceful. 

The morphia would ensure that.

It had been administered in increasing amounts

over the past days

so that she had lain sleeping,

motionless;

her mouth open.

 

My mother told me this years later,

and years ago,

and I never asked her about it since.

 

First,

the lights appeared

where there had been no lights,

around the bed;

in colours so vivid and new

they were unworldly.

Colours she had never seen before.

And the whole room became bathed in a brilliant white light.

 

Then my grandmother sat up,

unaided,

for the first time in twelve years

and said with perfect clarity,

“Don’t be afraid; I’m going now”,

and my mother wasn’t afraid. 

She smiled, lay back down and died.

 

My father explained that my mother

was tired beyond exhaustion,

stressed beyond endurance. 

 

He didn’t quite say what he meant.

 

My mother however

knew this to be true

with a certainty greater

than any other thing she knew.

◄ Has Anybody Seen My Little Sarah?

I Had A Bream (Fishermen's Tales) ►

Comments

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M.C. Newberry

Sat 27th Apr 2013 13:33

I am reminded of an out of body story related by a previously cynical surgeon who had operated on a patient who had recounted that experience after a difficult operation. The surgeon in question was happy to go along with his patient's tale but was shocked out of his complacency when the patient described a surgical instrument the surgeon had used - something that the latter had only brought to the operating theatre AFTER the procedures had begun, with the patient anaesthetised - and "out of it". There's more to existence than we know!

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Cynthia Buell Thomas

Sat 27th Apr 2013 11:09

I like this, John. It reads 'rough' but very sincere. I think, with a little more 'craftsmanship', it would be a gem of both words and emotion. I make this comment only because WOL is a poetry site, encouraging our best quality writing.

I can just hear the howls of 'She's so insensitive!' But not true.

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Isobel

Sat 27th Apr 2013 08:20

I've only done a bedside vigil once in my life and found it deeply harrowing - though I wouldn't have been anywhere else.

Those closest to the dying do go without sleep for what seems to be humanly impossible periods of time and I suppose that could induce delusions - as your father suggested.

I will never forget the dog howling though - at the exact minute of passing over or extinction of life, if you prefer to believe that. It had placed itself well away from the bed and had been silent all night. It does make you wonder what happens that the human eye just can't see.

I liked the way the last verse is open to interpretation.

<Deleted User> (6315)

Sat 27th Apr 2013 00:24


I have written three replies to this John and have scrubbed them all. I really like the line he didn't quite say what he meant. Aye..bet he didn't, because he wasn't quite sure himself eh?

:)

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