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TEDDYBEAR

Teddybear

 

At first I only saw the flowers,

Like rich brocade, a wayside alter,

The bright of nature, sweet in air,

That caused my onward step to falter.

 

But then my gaze fell to the toys,

The string and tape that held them there,

Festooning all to a crash scarred tree.

And crying out for the world to care.

 

I did not stop to read the notes,

That cruel rain had blurred to scrawl,

But walking on reviewed the scene,

And wondered do we care at all.

 

The tree still unforgiving stands,

And will another hundred years,

While wife or mother waits and weeps,

And wraps herself in happened fears.

 

With quickening step I cross the road,

But can’t resist the backward glance,

The wind has skirled the marigolds,

And set the teddy bear to dance.

 

A masque macabre, a cabaret,

A puppet master to the spheres,

The bear performs its pirouette,

While no one looks and no one hears.

 

And strangely I am forced to smile,

As blood is quickened through each vein,

I hear from deep inside my soul,

A keening song that brings me pain.

 

The tree is scarred and I am too,

Diminished, damaged, and amazed,

But yet without the mortal shock,

I feel the man within me raised.

 

These shrines adorn our city streets,

But flowers fade, corrupt and die,

And all will be as it has been,

When memories are just a lie.

 

For we are only fading blooms,

And toys that dance to the wind of change,

Tied to our tree by a greater hand,

And plans the fates can’t re-arrange.

◄ The Wedding Feast

Shattered Saturday ►

Comments

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M.C. Newberry

Tue 3rd Sep 2013 16:19

It is only right to add to my previous "post"
that the content is of a quality that I, for one,
have come to expect from this poet - and endorse
the comment from DB about the last verse.

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Dave Bradley

Tue 3rd Sep 2013 15:12

I was very struck by this Ian. A well-crafted blend of sadness, observation and philosophising. Great last verse - we're all living that question.

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Isobel

Mon 2nd Sep 2013 21:31

I like this poem Ian - it is very keenly observed and the analogy you make in the final verse is an excellent one.

I think we are becoming more public in our sharing of grief. It's not something that bothers me but I do sometimes wonder if I'm becoming mawkish when I start reading bench inscriptions, paying more attention to the young loss of life.

There's an area of wildlife local to me where the council has allowed a proliferation of benches all in one spot, overlooking a valley. It's a bit depressing really - you feel like you're in a graveyard. And yet, I suppose it would be cruel not to allow people to remember in the way that they choose. At least we haven't progressed to putting permanent photos up like they do abroad.

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M.C. Newberry

Mon 2nd Sep 2013 20:56

A topical observation on something that seems
a feature of this modern society - the habit
of transferring what used to be private grief
into a public event. Perhaps it is a product
of the pervasive media-aware society we've
seen emerge but I'm not sure that I'm for it.
How many times have we seen "grief stricken"
family hold press conferences about their loss?
Even worse, when later it is reported that
criminal charges have been made against the
participants. The lawyers and police are also
culpable in this activity - as if it is some
sort of reality TV show in which we are asked
to take sides and sympathise/condemn according
to our emotions/prejudices. I for one wish the
professionals would just get on with seeking justice and spare us the tendency towards "hearts and flowers" - surely best left to social workers in private.

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Ian gant

Sun 1st Sep 2013 18:54


I noted this on a Bradford street,a sad but now normal feature of our highways.

A week later the district council had removed all trace of the tragic adornment and the parks department had even covered the scar on the tree with tar to preserve it for future generations.

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