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Jack Came Dancing ( Re - Post Oct 2008)

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A hundred or so Years ago

Dark Came chancing

With a ripper's knife

Came he dancing taking life

Deftly in that midnight hour

Came the stripping

Then the ripping

Just as lightly he was flitting

Into the darkness

After slitting snow white breasts

Plump pleasuring flesh

Dr Death awaits concealing

A heart

 A womb congealing

Watching bloody 'neath hissing Lamp

Streaming steaming in its sulphurous light

Murdered screaming into the dead of night

Jack the Ripper

◄ Culver Cliff

She is just a Gypsy Girl ►

Comments

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Gus Jonsson

Sat 10th Apr 2010 09:54

Thank you John

Yes I often wonder how many of our merry band here on WOL bother to study construction beat and tap out the rhythm. Painting words to a drama or a scene.

I used to set workshop sessions years ago, but now I just play with myself.

By the way I hope your teeth are nicely settled and safely in a glass beside your bed as we speak.

Thanks again
Gus

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John Coopey

Fri 9th Apr 2010 06:22

Gus
I agree with Cynthia - lots of devices to heighten the effect, but so well done that I didn't notice them when I read it - only after I'd read her comment and checked it out. Clever work, Gus.
Also pleased you enjoyed my trip to the dentist - a lot of effort went into those rhymes!

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Gus Jonsson

Wed 7th Apr 2010 23:24

Yes Old Jack was a bit of a lad Isobel... Hope I don't spoil a good nights sleep... oh the very thought!...thank you for commenting....


Cynthia
Thank you so much for your wonderful and discriptive comments and yes myth always builds up mood and as a consequence ...flashes the spark and a poem is penned.


Once again so many thanks for your very kind words.


Gus x

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Isobel

Wed 7th Apr 2010 21:55

Jack came dancing back again in the 80's, his last victim taken from the block of flats where I lived as a student. This brings back a few memories... You have struck the mood brilliantly, as Cynthia says. If only we could understand such evil?

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Cynthia Buell Thomas

Wed 7th Apr 2010 11:39

The Master of Mood strikes again. Your choice of vocabulary is superb, the deliberate contrasts that heighten horror, the internal rhyming. Your craft in combining these words is marvellous - making sheer music play through your lines by using all the finest 'poetic techniques'. The innocuous 'dead of night', such a cliche, is a striking clincher. Oh, so clever, Gus.

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