Bad Faith
Most often I spot them way off in the distance,
something in the gait and the weight of their symptoms;
the ill-defined tremor of repeat prescriptions
sets alarm bells ringing and I turn on a sixpence
or cross roads inventing a previous engagement,
catch a flower arrangement, bend to tie laces,
bury my head in shop windows replete
with cheap trinkets. I tread light on my feet
but occasional spirits make cock-crow visits
or a patch of ice remains untouched by thaw,
throwing me off balance; I clutch at displacement
when meeting ex-patients once more.
That's when my elbow shudders at the finger
as "Hello stranger" wraps around my shoulder;
I spin to a name I can't remember,
a drug, a diagnosis, or simply disorder.
The furrowed signs of distress and despond,
the failure to bond and exasperation,
the trial separations from errant husbands,
the scars and bruises borne by the infant,
the rooted abhorrence roared at the parents.
But I've shovelled empathetic epithets
and unconditional regard, all that dirty laundry
into yellow plastic bags for waste disposal;
I no longer dance to the non-judgemental.
What's once contemplated can't be unthought:
they take me at face value; I sell them short.
Anthony Emmerson
Thu 27th May 2010 23:21
Hi Ray,
Thanks for your comments on "Visiting Neil." Any crit/crib is always welcome and valued. I'm not sure if you've read the note I posted shortly after; this may put the piece in a slightly different context.
This immediately put me in mind of Eminem's work. Fantastic manipulation of half-rhymes/off-rhymes and assonances throughout, tricking and toying with your reader's expectations to create that almost staccato effect. I always admire your obvious technical skills; when they are matched by content and context it just gets better.
Regards,
A.E.